S生活艺术空间：空间的错落层叠 / 权洪建筑研究所

编辑：李博超 | 校对：李博超 | 2021.12.08 00:44

设计单位 权洪建筑研究所 QUANHONG ARCHITECT & ASSOCIATES

项目地点 浙江杭州

竣工时间 2021年7月

设计面积 2800平方米

设计团队近期受业主之邀，在互联网之都杭州的一处老建筑空间设计了一个综合生活艺术展厅，意在通过建筑内外空间重塑唤醒沉睡已久的场地，并赋予其一定的商业价值。

Invited by proprietor, QUANHONG ARCHITECT & ASSOCIATES designs a comprehensive life and art showroom in an old building in Hangzhou, city of internet, which intend to rouse the long-sleeping place by reconstructing the inner and outer space of the building and give her some commercial value.

项目难点在于在合适的成本内有效满足其艺术展陈空间的多方位需求，同时强调人与空间的情感交流。建筑空间以内外一体化方式进行空间的重新规划，并对重新设计建筑的内部结构。

The difficulty of the project is to effectively satisfy the multidimensional needs of artistic display space within proper cost, while highlighting the emotion interaction between human and space. The architectural space is re-planned by internal and external integration, and redesigning the inner architectural structure.

建筑师以环境受光面分析为起点，对建筑空间组织关系进行推敲，并适当加强内部空间的层次，结合功能区域进行综合探究。在某种程度上，设计希望去除传统的室内外界限，对内部空间从零开始的结构体量设计，也意在加深消费者对内部空间的探索欲。整个空间分为三层且错落有致，在观感上突出建筑的空间感。

The design start with the analysis of light-receiving side of the architectural environment, deliberating the organization relationship of architectural space, and properly enhance the inner space layers combined with functional area as study. To some extent, the design hopes to remove traditional internal and external bounds. We intend to encourage the customers’ desire to explore of inner space with inner space structural quantity design from scratch. The whole building has three well-proportioned floors, visually highlighting the sense the architectural space.

建筑本身并无正长面主体的视觉方向，相反，人车动线视觉集中在侧面。一方面考虑到成本，外立面在依托原有建筑框架结构上采取了减法策略；而在入口与顶部新增的两个体量意在解决建筑空间侧面视觉的立体感，在另一方面上强化观者对建筑的印象。

The building itself has not the visual direction of the front long main structure, but the moving line of people and vehicle focus on the side of the building. Outside elevations ，façade language is not overused. Considering the cost issue, subtraction strategy is applied based on original frame structure. And the two added quantity is to solve the stereo feeling of the architectural space side vision, as well as strengthening the architectural stereotype.

空间以人视觉变化为思考起点，依据内部空间的视觉递进，建筑师设立了许多大小开间。视线在组织内的节奏并非固定死板，空间艺术装置也为空间增强了仪式感。

Considering the change of vision at the very beginning, there are a lot of big or small bays in inner space to create visual progression, and coordinate with some art installation to present. The vision is not fixed in a rigid rhythm.

上下关系的楼梯体量不仅作为空间的连接，同时也对空间加强了雕塑刻画的作用。建筑师希望体验人群在非固定的流线中随着自己的感受不断进行探索，同时享受艺术空间带来的感染力。

Using up-down stairs quantity as link can not only act as traffic quantity of space upward and downward, but also strengthening the sculptural affect for the space. The design hopes people can experience constant space explore with their feelings in an unfixed line, meanwhile enjoy the charm of art space.

设计一直围绕突出人与空间的关系为核心在考虑，空间好似安排也无安排的旅程。建筑师在三层的突出体量设置了一条悬空长廊，处于空间流线的末端，廊桥的关系不仅突出了空间的层次，同时成为内部空间在视觉上自然的牵引终点。

The core consideration of this design is to highlight the relationship between human and space, arranging an ambiguous trip through the space. The outstanding quantity of the third floor is a suspended corridor, at the end of the space line in terms of space explore. The relationship of the corridors is not only highlighting the layers of inner space, but also working as the visual-based navigation terminal of inner space.

好的艺术展陈空间，并非需要刻意去贴合当下某种特定的装饰风格语言，而重在研究空间的组织关系与未来的可塑变化性上。建筑师在内部空间上加强光影与建筑本身的互动，加强装置艺术与人的互动，目的都是加强人对于场所空间的深刻印象。

QUANHONG ARCHITECT & ASSOCIATES believes good art showroom is not to deliberately fit the current certain decoration style or language, but to study the organization relationship of space and plasticity and change of future. Highlighting interaction of light shadow and building itself in inner space, interaction of installation art and people, is to enhance people’s image of space.

这是一个对于建筑空间重塑的实验性艺术项目，融合了实用功能及艺术空间特质。在一定的理性设计逻辑下，设计过程同时又显现出不确定性，这是设计对于展陈空间去死板化的探索过程，一步一景，享受其中的每个空间音乐章节。

This is an experimental art project based on the reconstruction of architectural space, a comprehensive showroom mixing with practical function and the character of art space. Under the rational design logic, the design process is extremely uncertain. This is an exploring process of showroom primness-removing for design, one step, one view, enjoying every music chapter of the space.