料亭松子：由日式传统符号解构的空间 / 堤由匡建筑设计工作室

编辑：李博超（实习生）| 校对：崔婧 | 2020.07.13 17:00

设计单位 堤由匡建筑设计工作室

项目地点 中国杭州市

建筑面积 260.2平方米

建成时间 2020年5月

本文文字由事务所提供。

项目为位于西湖岸边邻街的日式料理店，由一幢三层老建筑改造而来。料亭位于老建筑的二层与三层，虽然地处邻街处，但独立的空间成为其本身的优势。为了与周围环境区分开，且符合料亭本身的特色，我们专门为料亭设计了独立的入口。

3 stories old house on the Xihu lakeside was renovated to 2 types of Japanese Restaurant. We planned traditional Japanese restaurant on the second and third floor which has calm atmosphere.

料亭的玄关位于天花板较低的二楼，为了吸引客人的视线，玄关入口墙面的处理很重要。我们将日本传统的麻叶图案解构为菱形和等边三角形，重组后得到双层格栅墙，从不同的角度能够得到不同的视觉效果，但从正面看麻叶图案依然是视觉中心。在鞋柜面板的加工上，我们使用了日本传统雕刻技术“名栗”。

The entrance of restaurant is planned on the second floor where it has low ceiling height, so it is very important to design the walls as eye-catching ones. For the entrance wall, we disassembled the traditional ASANOHA pattern to two different geometric layers, one layer has diamond pattern and the another has the equilateral triangle pattern. In front of the wall we can recognize it as ASANOHA, but it gradually shifts toward the periphery. On the shoe box panels, they were carved by Japanese traditional technique called as NAGURI, and it had the beautiful shaded expression.

二层的一半区域由包间和寿司吧组成，我们采用了日本传统的太鼓张作为隔断，在保障私密性的同时又具有通透性。另一半区域则为大厅，我们将木格栅墙元素运用在大厅的两面墙上。为了确保日光的同时阻挡外面邻街杂乱的景色，我们将整个阳台种满了植物，并用脚下开放的雪见障子作为隔断。

On half of the second floor, there planned private rooms in which the both side of partition was put by washi paper called as TAIKO-BARI. On the other half of the second-floor, there planned dining hall in which the double ASANOHA pattern on the back wall of the tables. At the openings, to keep the daylight and block the realistic scenery of the outside, also feel the greens on the balconies, we used the bottom opened washi partition called as YUKIMI-SHOJI.

三层是料亭空间的VIP房间，整个空间非常安静、私密。为了利用三层天花比较高的特点，我们在每一个VIP房间的地板和天花之间都设计了贯通上下的装饰柜，并且安装了间接照明。这个想法是参考了京都“修学院离宫霞棚”而得到的。

On the third floor, there planned VIP rooms of calm atmosphere. For using enough height of attic, we expanded the set of staggered shelves called as CHIGAI-DANA up to the ceiling, and put the indirect lighting on them. This technique is reference of KASUMI-DANA at SHUGAKUIN imperial villa in Kyoto.