海边的多维雕塑：OMC时尚发布中心 / 时境建筑

编辑：蔡倩雯（实习） | 校对：李博超 | 2023.08.10 17:32

设计单位 时境建筑

项目地点 山东青岛

建成时间 2022年6月

建筑面积 5300平方米

本文文字由设计单位提供。

项目位于山东黄岛时尚产业园内的公寓小区角落，正对着有潮汐变化的大海，是时境建筑的“垂直潮汐”项目的一次延伸。整座建筑总面积为5300平方米，共6层高。首层与外部交通相通，具备时装发布和展厅的功能。建筑的二层与公寓小区相通，而其上的4层则为设计师的联合办公空间。

The project is located in the corner of the apartment complex in Shandong Huangdao Fashion Industrial Park, facing the tidal sea, and is an extension of the "Vertical Tides" project of the Atelier Alter Architects. The building is 5,300 square meters, with a total of 6 stories. The first floor is connected to the outside traffic and has the function of fashion release and showroom. The second floor is connected to the apartment complex, and the four floors above are co-working spaces for designers.

空间模式重塑

面对海边这样独特的场所，我们并不希望在此建立一个典型的城市办公楼，而是考虑是否可以引入一些自由的气息，打破人们可预想的模式。

Instead of placing a typical urban office building on a seaside, we considered whether it would be possible to introduce some freedom and break the predictable pattern.

设计试图从柯布的均质多米诺梁柱空间格局中延伸出一种新的空间形式：以时尚的本质主题——“探讨织物和身体之间的关系”作为切入点。从充满了空间想象力的领域入手，引入了一系列相互交错的空间曲面，塑造了建筑空间的核心构成要素——巨大的空间几何造型介入到一个均质空间当中产生互动的效果。

The design tries to develop a new spatial form from Corbusier's homogeneous Domino structure. We started from exploring the essence of fashion industry, "the relationship between fabric and body", as our base of spatial imagination, introducing a series of tangential and diverging curved surfaces to form the main components of architectural space -- a huge spatial geometry that intervenes and interacts with the homogenous space.

与功能互动

这座建筑的主要功能涵盖两个方面：一是时尚产品的发布和走秀，另一个是不同设计师品牌的联合办公空间。这些曲面与原始的均质办公空间相互融合，体现了对全新时尚产业办公功能复杂性的考虑。这座建筑不再局限于传统办公功能的简单叠加，而是巧妙地结合了开放的发布空间和设计师办公区域，以促进更多的互动和交流。

The building has two main functions: one is for fashion product launches and runway shows, and the other is a co-working space for different designer brands. The interaction of the surfaces with the original homogeneous office space considers the complexity of combining the new fashion industry and office function. Instead of using a stacking language as the traditional office buildings, it combines a more open and communal launch space and designers’ offices that encourages interactions.

在这些几何体与地面接触的首层，空白的区域得以大量保留，可供开放的走秀和发布会使用，并设有高耸的4层通高的共享大厅；随着楼层的升高，开放式的办公功能与贴附在空间几何体表面的各种展示台、交流空间相互交织、持续变化，为办公空间提供更多品牌展示与设计师之间互相沟通交流的机会。所有这些功能与空间的相互作用都是由雕塑般的几何形体与传统楼板之间的不同空间位置关系所引发的。

The ground floor, where the geometry touches the ground, has plenty of white space for more open shows and presentations and a 4-story tall atrium shared space. As the floors rise, the open offices, display booths, and communication spaces attached to the surface are intertwined and evolving, providing more possibilities for brand display and mutual communication between designers. To reduce the repetition and redundancy of space, the designers have integrated the spaces organically, emphasizing their unity through changing functions. The interaction of these functions and Spaces is a combination of sculptural geometries and conventional floors.

多维度的空间

最后，这种形态在水平方向与楼板之间，在垂直向与玻璃幕墙之间形成了若近若远、合而分离的空间剥离关系：从宽敞的空间滑向狭窄锋利的缝隙，或从与垂直墙体相切的位置扭转到与水平楼板平行。空间充满了随时间变化的运动，从外立面的形体开始，滑行到室内，并在垂直方向上和水平方向上在发生变化。最终，形成了一座位于海边的雕塑感极强的建筑。

The final form creates a special detachment between the horizontal, the floor slab, and the vertical, the glass curtain, rendering a vibrating spacial feeling: sliding from a generous space to a narrow, sharp gap, or twisting from a tangential vertical wall to a horizontal floor slab. The space is filled with movement over time, starting with the form of the facade, then gliding into the interior, and changing both vertically and horizontally. The result is a highly sculptural building on the waterfront.