深圳遇见花瓣Met Petal餐厅：“峡谷”相会 / 力场建筑

编辑：李博超 | 校对：李博超 | 2021.07.06 21:01

设计单位 力场（北京）建筑设计Linkchance Architects

项目地址 广东深圳

建成时间 2021年2月

室内面积 300平方米

本文文字由设计单位提供。

背景

项目位于深圳市宝安区欢乐港湾二层，整栋楼是一栋商业综合体建筑，外形呈流线型，由若干类椭圆形大公共空间高低错落串联而成，空间变化丰富有趣。建筑中间为绿地景观，两侧商户排列，人在此建筑中游走，如同进入一段“现代版建筑峡谷”。本项目是业主方继北京店之后的第二家门店，场地大面积采光依靠西南一侧，户外有近150平方米的大露台，站在露台可以远眺深圳前海湾。

The project is located on the second floor of happy harbor, Bao'an District, Shenzhen city. The whole building is a commercial complex building. The building is streamlined in shape. There are several types of oval large public spaces in series, with rich and interesting spatial changes. The green space landscape in the middle of the building is lined with merchants on both sides. People walking in the building is like entering a "modern architectural Canyon",. This project is met petal met patal's second store after Beijing store. The site has a large area of lighting facing southwest. There is a large outdoor terrace of nearly 150 square meters. Standing on the terrace, you can see the shallow bay of Shenzhen..

场力

场地内蕴藏着几大有利条件，首先为城市活力，深圳正在成为一座神奇的超级大都市，不同体量及内容的公共建筑和生态景观不断落成，是国内外建筑师与建筑事务所角逐的主战场，它包容、多元，极具活力；

1.Vitality of the city: Shenzhen is becoming a magical super metropolis. Public buildings and ecological landscapes of different sizes and contents are constantly completed. It is the main battlefield for domestic or international architects to compete with architectural firms. It is inclusive, diverse and full of vitality;

其次，场地外部空间富有张力：户外露台、海边起伏景观、深圳前海湾，整体来看这个三个空间次序由高到低，由城市延伸至海湾，人站在露台上如同身体置身于“峡谷”高地，不由地望向海边远方。

2.The external space tension of the site: outdoor terrace, seaside undulating landscape and Shenzhen shallow bay. On the whole, the order of the three spaces is from high to low, extending from the city to the bay. Standing on the terrace, people can't help looking to the seaside as if they are in the "Canyon" highland.

最后，内部“峡谷”空间营造特色鲜明。由于场地主入口位置在整栋建筑的内侧，次入口（连接大露台）设于建筑外侧，人的行为动线必然会由内向外地“流淌”，因此我们营造了一个能引人入胜的峡谷序列空间。

3.Internal Canyon space construction: since the main entrance of the site is located on the inner side of the whole building, and the secondary entrance (connecting with the grand terrace) is on the outer side of the building, people's action line will inevitably "flow" from the inside to the outside, so we create an attractive Canyon sequence space.

挑战

峡谷空间造型的具象与抽象如何平衡？太抽象和过于光滑，显得过于现代而缺乏原始力量；而太具象，又容易做成所谓的“游乐园“效果。在技术上如何有效把控并实现原初的空间构想？如何实现原始力量感与现代感的平衡？如何携同匠人们对装饰混凝土造型及着色进行实验？都需要在这次的设计中去解决。

How to balance the representativeness and abstraction of Canyon space modeling? Too abstract, too smooth, too modern and lack of primitive power, too concrete, easy to make the so-called "amusement park" effect; How to effectively control and realize the original space conception technically; How to realize the balance between the original sense of power and the modern sense; How to carry out experiments with craftsmen on coloring decorative concrete.

力场

当人走进场地主入口后，首先是一段缓冲空间作为接待区。进门右手边是导台，左手边为“峡谷”的开启，站在这一端可以看到峡谷另外一端从露台透进来的自然光，视线的末端也会显现出椭圆形的吧台，吧台上半部分的金属罩被光打亮，远望过去，显得光滑且现代，引发人继续向前探索的兴趣。

"Canyon" force field construction: when people enter the entrance of the field, first of all, a buffer space is used as the reception area, and the right side of the entrance is the guide platform for daily guidance and reception; The left side is the opening of the "Canyon". Standing at this end, you can see the natural light coming in from the terrace at the other end of the canyon. At the same time, an oval bar will appear at the end of the line of sight. The upper part of the bar is a metal cover, which is illuminated by light. Looking from afar, it is very smooth and modern, which will arouse people's interest in further exploration;

通道最窄处只有1.2米，因此客人们在通行时距离会靠得很近，甚至会有意避让，走进这一狭长空间，人如同水流般徜徉在峡谷之中。

The narrowest part of the passage is only 1.2 meters, so pedestrians will be very close to each other when passing by, and even deliberately avoid walking into this narrow space to roam in the canyon with the water.

立面造型曲折有力，是一段“纯粹的峡谷地段”，在横向上营造一种“水流湍急”的空间冲刷感，纵向上望去，又可以看到清晰的峡谷轮廓。墙壁上的纹理，也如同流水冲刷的痕迹。

The facade is tortuous and powerful, which is a "pure Canyon" section. Horizontally, it creates a sense of "turbulent water" space erosion, and vertically, you can see a clear outline of the canyon, The texture processing on the facade wall is like the trace of water erosion;

再往里面行走，在左手边会遇见一处“洞穴”包间，营造一种在原始洞穴空间中用餐的体验，餐桌是由定制的橘面玻璃砖垒砌而成，顶部吊灯灯罩也为玻璃制品，地面预埋射灯照在墙壁上形成的光影，充分凸显出原始空间与现代工业产品的直接碰撞感。

If you walk inside again, you will meet a "cave" space on the left, which functions as a private room, creating a dining experience in the original cave space. The dining table is made of customized orange glass bricks, the top Chandelier Lampshade is also made of glass, and the light and shadow formed by the embedded spotlight on the wall fully highlights the direct collision between the original space and modern industrial products.

穿过这段峡谷，豁然开敞地来到主用餐区，餐桌围绕中岛吧台水平向布局，中岛吧台夜间可切换为酒吧模式。北侧靠“峡谷地段”处设有长条卡座，客人在用餐时可观赏南侧户外风景。

Through this section of Canyon, you suddenly come to the main dining area. The dining table is arranged horizontally around the Zhongdao bar, which can be switched to the bar mode at night; The north side is close to the "Canyon side" and a long card seat is set on the side. When dining, the guests can enjoy the delicious food on the canyon side and enjoy the outdoor scenery on the south side.

结语

正如勒内·德勒兹所言，人生就是一场遇见，人们在非常现代化的都市、现代的综合体楼内，遇见一处充满粗糙质料的、原始的空间，会暂时抽离于周边环境。在峡谷空间中穿梭、相遇、互动、用餐，这种既原始又现代的空间氛围将带来一种奇妙的体验。

Just as Rene Deleuze said, life is a meeting. In a very modern city and modern complex building, people encounter a primitive space full of rough materials, which will be temporarily separated from the surrounding environment; Shuttle, meet, interact and eat in the canyon space, and enjoy the original and modern atmosphere space.