西扎+卡洛斯作品：中国国际设计博物馆

设计主创  阿尔瓦罗·西扎+卡洛斯·卡斯塔涅拉

项目地点  浙江杭州

建筑总面积  1.6万平方米

建成时间  2018年4月

撰文  卡洛斯·卡斯塔涅拉

中国美术学院在杭州共有两个校区。一个在市中心，西子湖畔；另一个全新的校区则在郊区，面积更大。新校区中随处可见王澍的设计作品，大部分建筑都出自其手。当我们开始这次的设计时，他还没有获得2012年的普利兹克奖，在设计初期，他和同为建筑师的妻子陆文宇给我们提供了很多帮助，这些直至今天都是特别重要的。

The Chinese Academy of Art (CAA) in Hangzhou has two campuses. One is in the city center, near West Lake, and a new larger campus is in the outskirts.  The presence of the architect Wang Shu is ubiquitous on the new campus: most of it buildings were designed by him. When we started on this work, he had not yet received the 2012 Pritzker Prize. The help that we received from both of him and his architect wife Lu Wenyu during the early stages of our work – and even today -, were and continue to be fundamental.

美术学院收藏了大量的珍品，其中不乏近来从魏玛包豪斯大学购买的大量原作，这些都促使学院为这些永久藏品和其它临时展品建立一所博物馆。博物馆除了满足特定的功能需求外，还需拥有自身的特色。

The huge CAA collection and its recent acquisition of a large set of originals items from the Bauhaus School prompted the idea of a museum for the permanent collection along with other works and temporary exhibitions. We were given a characteristic museum brief, apart from some specific features.

偌大的校园几乎已经没有什么空地，只剩东南角的两条道路的交汇处，还有一处延伸出的区域可供使用。这处用地呈三角形，城市与环境的规划要求严格限定了建筑的规模。

The huge campus was already nearly fully occupied. There was only one area still available on the south-eastern edge, at the intersection of two major roads in this expanding area. The available land has a triangular shape, with the planning restrictions of an urban and environmental nature that defined the building’s possible footprint and volume.

建筑的内部布局力求保证浏览路径的顺畅和空间的灵活。作为一所艺术类院校的博物馆，它旨在展示学生和老师通过不同的活动、语言、技术开展的（教学）成果，以及吸引迎宾客。

The internal layout seeks to facilitate smooth visitor flow and flexibility in the use of spaces. Being an art academy, its main purpose will be to display the results of different activities, languages and techniques deployed by students and teachers, as well as to receive guests.

地下部分计划作为技术、档案存储和服务区域，此处还有一个咖啡厅，可直通建筑中心的三角庭院。一层包含了建筑入口、公共休闲区、交通分流区、临时展厅和礼堂；夹层可以自由通行，并有一条通向东侧体量屋顶花园的坡道；顶层设有包豪斯藏品的永久展厅，南侧的体量内还有行政办公区域、青年艺术家工作室和设备区。

The basement is planned to house the technical areas, archives, service areas, and a café connected directly to a triangular courtyard in the center of the building. Above it, the ground floor contains the entrance, public and rest areas, distributions, temporary exhibition halls and auditoriums. A mezzanine level permits circulation and a ramp link to the roof garden above the east-facing volume. The top floor of this volume is for the permanent exhibition of the Bauhaus collection. The administration areas, workshops for young artists and also some of the infrastructure are on the south-facing upper floors.

建筑外立面覆有来自印度的安哥拉红砂岩面砖，明确了建筑的体量。部分区域，尤其在三角形体量的内部，覆有白色的大理石。门窗框则由铝材和木材制成。一个独立的白色混凝土体量垂直地插入到南侧的边界，它将成为公众的入口。

Red Agra sandstone from India will define the volumes and the exterior cladding. Some of the planes, especially inside the triangular volume, will be clad with white marble. The frames will be in be aluminum/wood.  A free-standing volume in white concrete, inserted perpendicularly to the southern boundary, will be used as an entrance of the general public.

设计图纸 ▽

完整项目信息

项目地点：浙江省杭州市中国美术学院

设计时间：2012年2月—2013年12月

建设时间：2014年9月—2018年4月

设计主创：阿尔瓦罗·西扎+卡洛斯·卡斯塔涅拉

葡萄牙设计方：CC&CB, Arquitectos

项目主负责：Pedro Carvalho

设计团队：Adalberto Dias、Carolina Leite、Catarina Rodrigues、Diana Vasconcelos、Elisabete Queirós、Francesca Tiri、Germano Vieira、Joana Soeiro、João Figueiredo、Jorge Santos、Nuno Campos、Pedro Afonso、Rita Ferreira、Sara Pinto、Susana Oliveira

本地合作方：中国美术学院风景建筑设计研究总院有限公司

建筑设计：Liu Ke、Zhao Yaunpeng、Jiang Weihua

工程设计：Zhu Weiping、Yu Xiaofen（给排水）；Jin Guogang、Wang Yonghong（电气）；Chen Chunji、Teng Liang（暖通）

智能设计：Sun Mingliang、Sin Minjun

声学设计：杭州智达建筑科技有限公司、Zhang Shanming、He Haixia

设计顾问：GET – Raul Bessa （暖通）；HDP – Paulo Fidalgo（结构）

三维模型：Germano Vieira、Pedro Afonso

建筑总面积：1.6万平方米

场地面积：8000平方米

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