光的漏斗：偏锋画廊改造 / 建筑营设计工作室

编辑：李博超 | 校对：李博超 | 2022.06.27 21:21

设计单位 建筑营设计工作室

项目地点 北京朝阳

建成时间 2022年2月

建筑面积 880平方米

偏锋画廊于2009年入驻北京798艺术区，是中国最早推动抽象艺术研究与发展的重要艺术机构之一。在长足发展的十余年之后，画廊主理人决定邀请建筑营对其空间进行重新改造设计，以进一步完善使用功能，应对未来的发展需求。

Opened in 798 Art Zone, Beijing in 2009, PIFO GALLERY is one of the earliest major artintuitions in China dedicated to advancing the research and development of abstract art. After more than a decade of operation, the owner of the gallery invited ARCHSTUDIO to renovate the space, to improve its functions and adapt to future development demands.

798艺术区是一个由上世纪50年代建成的电子工厂转变而来的当代艺术空间聚集区，该区域中标志性的混凝土拱窗结构是代表性的建筑元素之一。而偏锋画廊的原始建筑并不属于这类特色结构，是一座极为普通的工业建筑——封闭规矩、高挑空、无自然采光的砖混结构方盒子厂房。如何在满足画廊空间使用需求的基础上，塑造其独特的空间感染力与识别性，以此实现画廊品牌加成，是本次改造考虑的首要问题。

798 Art Zone, where PIFO GALLERYis situated, houses a cluster of modern art spaces repurposed from electronics factories built in the 1950s. Distinct from those iconic buildings featuring concrete arched windows in the art zone, PIFO GALLERY is set in an ordinary industrial building — a regularclosed concrete "box"with high ceilings and poor natural daylighting. For renovating the gallery, ARCHSTUDIO's primary consideration was to satisfyits functional demands while endowing the space with a captivating ambience and a unique visual identity, so as to improve the brand image of the gallery.

设计在既有建筑形式与结构的基础之上，以“光的漏斗”为概念意向，打开原本封闭的盒子，引入多层次的光，并重新梳理功能流线与结构材料关系，营造自然、开放、高效的艺术展览、会客和办公空间。

Based on the existing architectural form and structures, ARCHSTUDIO took "Funnel of Light" as the design concept. The design team opened the originally closed "box" to introduce multi-layer natural lights, and meanwhile reorganized circulation routes, structures and materials, thereby creating a natural, open and efficient space that integrates art exhibition, reception and office functions.

在临街的建筑立面上植入了两个梯形体量，成为方盒子向外翻开的窗口。一个作为入口门厅链接了建筑和园区街道，另一个梯形体量则作为飘窗，为办公区带来自然光和街景。

Two trapezoid-shaped volumes are added to the street-side facade, functioning as a window for opening the "box"outwards. One acts as an entrance foyer that links the building with the outdoor street, and the other serves as a bay window for bringing daylight and street view into the office area.

门厅采用清水混凝土浇筑而成，半透明的U型玻璃作为立面，由其朦胧、柔和的光感营造出进入画廊的第一印象。新的加建部分外侧包裹了与旧建筑相似的红砖作为面层材料，与798工业街区景观保持和谐。

The foyer is constructed of fair-faced concrete. Its facade, made of translucent U-shaped glass, creates a haze and soft light-like effect, which defines the first impression when visitors enter the gallery. This new addition is enveloped by red bricks similar to that of the old building, to harmonize with the built environment of the surroundings.

展厅空间则利用多个梯形的光筒向天空“借光”。根据旧建筑屋顶为预制混凝土板这一特征，设计对局部预制板进行拆除，增设了线型天窗。

The exhibition space brings in daylight through several trapezoidallight wells. The design team removed some existing precast concrete roofing panels of the old building, and meanwhile added linear skylights.

天窗向下延伸至倾斜的墙面，形成三个大小不一的梯形光井，为其下部的展厅和会客厅带来柔和的自然采光。首层是三个彼此分离而又相互连续的展厅，设计采用密肋砼结构，尽量提高室内的高度，密肋梁的截面为倒梯形，在梁之间嵌入了发光灯膜，为展厅带来柔和均质的人工光源。

The skylights are connected with oblique walls,thus forming three trapezoidal light wells of varied sizes, which bring soft natural light to exhibition halls and reception space beneath. The first floor includes three separate yet connected exhibition halls. The design team utilized dense concrete rib beams to enhance the height of the interior space to the greatest extent. The section of rib beams is in trapezoidal shape. Lightingmembrane is inserted in between beams, which adds soft artificial light source to the exhibition space.

由倾斜的墙面塑成梯型的二层会客厅。这里是为接待重要的藏家而设置的，布置休闲、会议、厨房、卫生间等功能。天窗引下的天光洒在倾斜的墙面上，形成独具特色的仪式性会客空间。

The slanting walls shape a trapezoidal reception hall on 2F. It is set up for receiving VIP art collectors, equipped with kitchen, bathroom, leisure and meeting facilities. Daylight penetrates the skylights, and spreads down onto the oblique walls, forming a unique ritualistic reception space.

前台、会客区、办公区的固定家具均采用混凝土浇筑而成，以岩板作为台面材料，家具与空间发生明确的对应关系。

The fixed furniture at front desk area,reception area and office area are constructed of fair-faced concrete. Sintered stones are used as tabletops. The design created a clear dialogue between furniture and space.