DS+R与Woods Bagot合作设计阿德莱德土著艺术和文化中心

编辑：崔婧 | 2021.08.10 09:35

△ 效果图 ©DS+R、Woods Bagot

阿德莱德土著艺术和文化中心的设计于2021年2月公布，目前已进入南澳大利亚州的规划审批程序，并已提交给州委员会评估小组。由Diller Scofidio + Renfro与Woods Bagot合作设计的11500平方米场馆，将展示过去、现在和未来的土著文化，支持各种当代艺术实践和跨学科活动，最终成为一种文化空间设计新范式。

Plans for Adelaide’s Aboriginal Art and Cultures Center (AACC), whose design was unveiled in February 2021, have now entered the south Australian planning approval process, after being submitted to the state commission assessment panel. Conceived by Diller Scofidio + Renfro (DS+R) in collaboration with Woods Bagot, the new 11,500 sqm venus is formed to showcase the past, present, and future of aboriginal cultures, as well as to support various contemporary art practices and events across disciplines, ultimately serving as a new paradigm in cultural space design.

△ 效果图 ©DS+R、Woods Bagot

DS+R和Woods Bagot提到，地块的很大一部分将装饰以植被、小径、墙壁、露台、座位以及一系列水景，欢迎人们进入。同时，一系列相互连接的通道将围绕建筑布置，并汇入基地中更小、更安静的区域，以便让游客从城市环境中抽离，沉浸在景观中。

DS+R and Woods Bagot mention that a large portion of the plot will be decorated with a combination of plants and vegetation, paving, walls, terracing, seating, along with a range of water features, welcoming people in. Meanwhile, a series of interconnected pathways will wind around the building and flow into smaller, peaceful areas throughout the site, in order to enable visitors to take time out from the city environment and immerse themselves into the landscape.

△ 效果图 ©DS+R、Woods Bagot

自从建筑参考方案于2021年2月公布以来，该概念通过与土著社区进行更为深入而广泛的接触，得以推进。这也是合作设计过程的一部分。Woods Bagot的首席设计师Rosina Di Maria说：“在真实、透明和忠于原始设计叙事的驱动下，设计一直重视来自土著群体的意见参考。”为了与乡村建立更强的联系，特色画廊现在完全在室外，建筑更明确地从地面升起，立柱似乎是从地面生长出来的。

Since the reference design for the building was unveiled in February 2021, the concept has developed through deeper and wider engagement with aboriginal communities as part of the collaborative design process. ‘Driven by truth-telling and transparency and staying true to the original design narrative, the design has been led by engagement with the aboriginal reference group,’ shares Rosina Di Maria, principal designer of WoodsBagot. Creating a stronger connection to the country, the feature gallery is now completely outdoors, and the building more decisively originates from the earth with columns that appear to grow from out of the ground.

Di Maria还表示，团队意识到自己的责任重大。她解释说：“这个项目展现了一条和解之路，某种程度上是决定原住民和非原住民的未来的重要时刻。”“我们正在设计一种容器，用来保存——亦即滋养并关照地球上最古老、坚韧、持续的文化的故事。”“设计必须能打动全国人民，尤其是澳大利亚的土著居民和托雷斯海峡岛民。”

Di Maria also says the team is aware of theprofound responsibility. ‘This project is a path to reconciliation, an important moment in setting the future for aboriginal and non-aboriginal people,’ she explains. ‘We’re designing a vessel to hold—to nurture and care for—the stories of the world’s oldest and resilient, continuous culture on earth. The design must speak to the whole nation and especially aboriginal and Torres Strait Islander peoples across Australia,’ she adds.