布赖巴赫音乐厅：倾斜入地 / PETER HAIMERL. ARCHITEKTUR

编辑：张诺亚（实习生） | 校对：李博超 | 2022.07.21 11:33

设计单位 PETER HAIMERL. ARCHITEKTUR

项目地点 德国布赖巴赫市

建成时间 2014年9月

建筑面积 560平方米

布赖巴赫音乐厅代表着以振兴布赖巴赫新中心为目标的城市开发核心。该项目是在国家城市发展资金的支持下建成的，它位于新社区的中心旁，是对新小镇广场空间的补充。

The concert hall represents the heart of the urban development to revitalize the new centre of Blaibach. It is located next to the new community centre and complements the space of a new village square that was realized with funds from the state urban development support.

音乐厅是一栋混凝土建筑，其顺应地形，倾斜地建立在小镇中心的斜坡之上。顺应布赖巴赫当地的石雕传统，音乐厅的外墙以花岗岩为主要材料。

The concert hall is a solitaire of concrete with an inclination above the slope in the village centre following the topography and linking with its granite facade to the stone carver tradition of Bailbach.

这座倾斜音乐厅的建筑入口设在新的小镇广场上，并通过楼梯引导游客前往位于地面下的门厅。门厅不仅提供了寄存处、卫生间、酒吧等功能空间，还起到引导游客绕过喧闹的礼堂进入内部演奏厅的作用。

The monolithic tilted building opens itself to the visitors at the new village square and guides them by a staircase to the foyer below the surface. The foyer provides not only functional areas like a wardrobe, sanitary rooms and bar but also leads the visitor excitingly around the auditorium into the inner concert hall.

音乐厅利用天花板上光缝里透出的光线，照亮了整个空间。建筑主体采用预制混凝土技术制成，运用了一个很复杂的建筑模板，把一切不可能变成了可能。

While the precise light slits illuminate the space. The building body is made of pre-cast concrete and only a highly intricate constructed formwork made the realisation of the difficult form possible.

音乐厅整体倾斜面的设计是基于声学规范的，包括光缝后面以及台阶下面的的低音吸收器，使建筑内部达到最佳的声学效果。音乐厅里的混凝土是没有经过处理的素混凝土，其凹凸不平的表面有助于吸收演奏过程中的中高音。

The dominant tilted surfaces of the concert hall are based on acoustic specifications and include besides LED lights also bass absorber behind the light slits as well as underneath the steps for optimal acoustics. The concrete in the hall is untreated. Its lively surfaces help to absorb the medium-height tones.

倾斜的音乐厅，顺应坡度的增加设计了楼座。透明的座椅用金属固定，好像漂浮在光缝上一样。音乐厅的舞台设计从实际功能出发，设置了现代LED舞台设备，不会作为一个多功能房间，而是单纯用作舞台这一个功能来使用。

The inclination of the building – based on the increase of the slope – carries the gallery. The seemingly transparent seats, which are fixed on iron swords, appear to float above the light slits. The stage of the concert hall, which is only designed for its actual function not as a multifunctional room, is equipped with modern LED-stage technology.