“谷仓里”面料展厅，织物长在土地上 / 非知名设计

编辑：彭雅冰 | 校对：宋诗雨 | 2026.01.14 16:56

设计单位 非知名设计

项目地点 广东省广州市

建成时间 2025年

建筑面积 95平方米

本文文字由设计单位提供。

一座慢慢“长”出来的谷仓，风蚀的木桩、裂开的夯土、草绳的编织……这些来自土地的符号，仿佛从地表缓缓浮现，带着一种朴素而顽强的生命力。谷仓，原是储存作物之所，而今，我们将新的织物藏入它“旧”的缝隙之中，不为展示，只为归还。

A slowly “growing” barn, wind erosion of wooden piles, cracked rammed earth, the weaving of grass rope ...... These symbols from the land, as if slowly emerging from the earth's surface, with a simple and tenacious vitality. The barn was originally a place for storing crops, and now we hide the new fabric in its “old” crevices, not for display, but for return.

这个空间不再追求表面的整洁与新，而是接纳时间的痕迹。裸露、粗粝，甚至略带“破败”，不再被视作缺陷，而成为最有力的质感表达。它呈现出一种“未完成”的状态，这不是修复，也不是装饰，而是将材料还原于最原始的模样，让它们安静地诉说自己的故事。

This space no longer pursues the neatness and newness of the surface, but accepts the traces of time. The bareness, coarseness, and even a slight “dilapidation” are no longer regarded as defects, but become the most powerful expression of texture. It presents a kind of “unfinished” state, which is not repairing or decorating, but restoring the materials to their original form and letting them tell their own stories quietly.

木桩粗壮而朴拙，如同从土地中自然生长而出，是整个空间的骨架。未经修饰的裂纹与年轮，清晰地记录着时间的刻度。

Wooden piles are stout and simple, as if growing naturally from the land, and are the skeleton of the whole space. The unmodified cracks and annual rings clearly record the time scale.

屋顶延展为斜面，让空气在其中流通，阳光透过梁间缝隙洒入，投下斑驳的光影，那是一种柔软的、流动的时间感。

The roof is extended into a slanting surface, allowing the air to circulate in it, and the sunlight pours in through the gaps between the beams, casting mottled light and shadow, which is a soft and flowing sense of time.

材料的组合，是天然与工业的对话。粗切的石材与未经打磨的木材自然并置，旧物被重新赋形，构成灵活的道具系统，满足空间功能的同时，也延续着“生长”的语言。空间不被定义，而是留下变化与延展的余地，像土地，始终欢迎新的可能。

The combination of materials is a dialog between nature and industry. Rough-cut stone and unpolished wood are naturally juxtaposed, and old objects are reshaped to form a flexible props system, which fulfills the function of the space and at the same time perpetuates the language of “growth”. The space is not defined, but leaves room for change and extension, like the land, always welcoming new possibilities.

织物被轻轻安放于木架与石块之间，仿佛刚从田地间收割。它们不被刻意展示，而是自然地“栖居”于此。道具系统亦不强调存在感，而是静静支撑，成为织物落地的背景。

The fabrics are gently placed between the wooden frame and the stones, as if they have just been harvested from the field. They are not intentionally displayed, but naturally “live” there. The props system does not emphasize their presence, but rather supports them quietly as a backdrop for the fabrics to fall to the ground.

最终，这一切回归静默。材料各安其位，结构不加掩饰，空间不喧哗不表演，仅以最真实的姿态呈现出岁月的温度与风土的回声。物归原位，声息全无——这是这座谷仓，也是这片土地，给予织物最温柔的归宿。

In the end, all this returns to silence. The materials are in their places, the structure is not disguised, the space is not noisy and not performing, only presenting the temperature of the years and the echoes of the terroir with the most authentic gesture. Things return to their original places, no sound is heard - this is the barn, and this is also the land, giving the fabric the most gentle home.