很抱歉，没有找到 “” 相关结果
请修改或者尝试其他搜索词
普罗建筑
空间出现的时刻到底是客观的逻辑建立，还是在时间的变化中由主观的反思性介入才浮现出来，在事务所的日常思考中，这成为我们讨论的核心性问题。在之前完成的留云草堂这一项目中，我们试图将心理的图解直接生成空间的核心结构逻辑。今年，我们得到一个机会，去探讨改造设计的另一种思路，即如何与时间对话。
Space is a logic, or by subjective intervention in the change of time, this becomes the core of our discussion in the office everyday thinking. In this project, we tried to directly generate the core structure and logic of the space. This year, we''ve got an opportunity to explore another way of renovation: how to talk with time.
中车1897文创园位于北京丰台区的二七机车厂内，整个百年厂区的生产区域将逐步改造为巨大的文创园区，普罗建筑被委托进行示范区的整体建筑改造和规划，未来整体开发将遵循示范区的改造思路和原则进行大范围推广。C19号厂房位于启动区核心区域，被计划改造成第一个示范展示中心。
Zhongche 1987 park is located in Beijing fengtai 27 locomotive plant, the entire factory production area as a whole will be gradually transformed into a huge park. PROJECT was commissioned to renovate the demonstration area. Development future will follow the demonstration area renovation. No.C19 plant is located at the core of the start-up area and is planned to be transformed into the first demonstration center.
这些老房子们见证了工业化的辉煌和转变。历史是抽象的，甚至是符号化的，但是我们觉得原始的空间意图却是能感知的、能表达的。这些老房子在建造时意图是明确的，而新的功能植入则表现了新的使用意图，新意图如果能够尽量地容纳老的历史意图，在我们看来，即是改造对原始建筑历史有态度的“再呈现”。
These old houses witnessed the glory and transformation of industrialization. History is abstract, even symbolic, but we feel that the original spatial intention is perceptible and expressive. These old houses are built in a clear intention, and the new function shows the intention of the new. If the new can accommodate the old, in our view, it is a "representing" which transformation had done to the history of original architecture.
原始建筑是一栋高大的生产车间，空间极为明亮宽敞，这让我们意识到这个厂房的高度和气质实际在诉说着他自己的独特历史，即外部的世界不断变化，而我是一个观察世界的不变场所，我的历史感造就了与现实世界的脱离，所以我在现实的外部存在着。从建筑物的角度，我们要处理一个“室内”的空间，而从空间意志的角度，我们必须要面对它“意义上的外部”这一现实。
Original building is a large production workshop, which has a very bright and capacious dimension, this let us realize that the plant was recounting his own unique history - a changing of the exteal world. It watched the constant world, with its history getting away from the real world, and existed in the exteal reality. From the building angle, we have to deal with an "indoor" space, and from the perspective of space, we have to face the reality of "exteal meaning".
为了实现这个“外部”感受，我们把空间的形式感知放在第一位，而功能放在第二位，即空间的形式将使用者的关注点放到空间本身的意图诉说上，而不是功能诉求上。这样，我们希望呈现的老空间意图就不会被新的功能意图所淹没。
In order to realize the "exteal" feeling, at first we took the space perception in the first place, and function in the second place, which means the space will be focused on telling intentions, rather than on the functional demands. In this way, the intention of the old will not be drowned out by the intention of the new.
建筑的功能要求被很明显地分成了两个同样重要的部分，一部分是针对外部活动，即举办发布会、展览等需要多数人聚集的活动空间，另一部分是作为展示中心的空间，即园区项目展示、洽谈、工作人员办公、会议等。这两部分从空间的使用要求上其实是对立的，公共活动部分要求尽量是开敞的、大空间的，而展示洽谈办公则希望相对私密。这就形成了具体设计中最大的问题，即如何让两部分共存在一个连贯的空间中，但却互不干扰，同时，每个部分空间都能感受到这部分功能是整个厂房的核心空间，而不是被硬性分割成的两部分。
Building functional requirements were clearly divided into two equally important parts: one part is used for exteal activities (conference, exhibition and activity space), the other part is as a function of demonstration center (project demonstration, negotiations area, office staff, conferences, etc). The two parts are opposite in the use of space, the public activity part requires as far as possible open, big space,while negotiation area and office need to be private. It''s one of the biggest problems in the design: how to make the two parts together, but no mutual interference, at the same time, each part of the space can feel the two parts are cores of the space, not divided into two parts.
通过对位老建筑上部的天窗和底部前后贯通的两个原始入口，首先我们在“壳”内植入了一个十字形，然后以这个十字形为基准生成了改造后的空间形式。从整体上看，这个植入的部分是一个有着单体中心盒子的连续步行系统。通过这个系统，人们可以从一层拾级而上到达二层，从二层再走到三层，从三层再回到一层，形成一个完全不重复的环形流线。而这个环形步行体系就体现出了作为展示中心的功能，即人们可以通过不同层面的环形去浏览体验原始建筑在不同高度所产生的不同空间变化。在这个环形体系上，分布着不同的功能。
First of all, after thinking about the roof and entrance, we implanted a cross in the "shell", and then generate a modified form of space based on the cross. Overall, the implantation is part of a continuous walking system with a central box. Through this system, people can go from first floor to the second, and to the third, and from the third to the first floor, thus a completely non-repetitive loop was formed. The circular pedestrian system reflects the central function, in which people can experience the different height of space changes. Different functions are in this circular system.
两部分主要的功能被垂直分区。一层为公共路演区，二、三层为展示洽谈办公区。路演区为一个三层通高的中部空间，可作为坐席使用的大楼梯似乎从天空倾泻而下，上面正对着屋顶中部的天窗。这部分能够感受到新植入的空间包裹着原始的旧空间，成为了原始空间“意义上的外部”。在楼梯对面可以看到一条环形的白色物体悬浮于厂房的中部。它与原始厂房的墙面完全脱开，边缘处用金属网衔接，空气在其缝隙中自由流通。夜晚到来，这个白色的异质物就像漂浮在老建筑的外壳里，同时它又是人们使用整个空间的线索和发动机。盒子上面有条形的开口隐约看到内部的景象，白色物体上下都露出原始厂房的墙体。在这里，感觉厂房作为一个整体，将植入的物体包裹起来，再次形成了“意义上的外部”。
The two main functions are vertically partitioned. The first floor is a public roadshow area, and the second and third floor show the negotiation office area. The roadshow area is a three-floor height space, and large stairs pour down from the middle of the roof. This part feels that the newly implanted space is encased in the original old space and becomes the “Exterior of meaning " of the original space. On the other side of the stairs you can see a circular white object suspended in the middle of the plant. It separates with the old metope, edge connected with metal net, air flow freely in the gap. In the evening, the heterogeneity of white like floating in the old building’s shell, at the same time, it is the engine for people in the whole space. An opening bar on the box let see the scene of inteal. White object let show the wall the original factory, here feel plant as a whole to wrap implanted object, and thus it became “Exterior of meaning “again.
二、三层连续的空间被巨大且暴露的原始厂房屋顶结构和中部的一个布满出风口的白色舱体所定义。在这个贯通的空间中感受不到任何一层的存在，而是完全被原始厂房的屋顶和墙壁包裹，中间的舱体盒子暗示了我们在盒子的“外部”，同时通过盒子上的洞口我们看到下方路演区的开敞景象，我们又感到相对于下面的开敞，我们处在上面的一个盒子的“内部”。在连续步行体系上。这样的感受在反复交叠着，不断提醒着我们去思考这个空间存在的意图，思考工业历史在老房子的空间中留下了何种的精神体验。
The two or three successive layers are defined by the large exposed original factory roof and the white cabin is set with air outlet. The continuous walking system constantly reminding us to think about the purpose of this space, and think about the history of industry in the space of the old factory.
1.设备：为了保持原始屋顶三角桁架干净的结构美感不被走动的管线和机械设备破坏，我们将空调的机械设备和管线等都集成在中间的盒子内。
1.Equipment: in order to maintain the clean structure aesthetic of the original roof truss, make sure structure not damaged by the moving pipeline and machine, we integrate the mechanical equipment and pipeline of the air conditioner in the intermediate box.
2.结构：由于老建筑自己的结构体系非常固定且脆弱，以及工期速度的要求，我们新植入的部分结构使用了钢结构。钢结构柱子与老墙体脱开1米，避免与老结构基础打架。新建楼板与老建筑墙体完全脱开，避免二次伤害以及对原建筑结构加固带来的高额费用。
2.Structure: due to the very fixed and fragile structure of the old building, due to the requirement of the speed of construction, the steel structure is used in the new part of the structure. Steel structure column and old wall to remove 1 meter, avoid to fight with the old structure foundation. The new floor slab and the old building wall are completely removed to avoid the secondary injury and the high cost of the original construction.
3.材料：在空间中我们使用了一些折叠拉门，由于使用了聚碳酸酯板的轻质材料，这些拉门可以在举办大型活动的时候完全拉开，其模糊的表面特性增强了与老砖墙之间的疏离感。
3. Material: we used some folding sliding door in the space, with the use of polycarbonate plate lightweight materials. When large-scale activities are held, the sliding door can be completely open. The surface properties of the fuzzy enhancement and the alienation between the old brick wall.
4.混合现实技术：为了在改造项目中完全真实地模拟改造部分在原始空间中的真实感受，普罗建筑在国内率先使用了AR增强现实技术来模拟并指导空间改造的方案。通过AR技术的辅助，我们将设计方案在真实的项目厂房内进行投射，模拟真实的使用流线和场景，观察设计方案在真实的环境下所感受到的空间尺度与美学感受，从而反馈回电脑中进行再次调整与论证。
4. Mixed reality technology: in order to simulate transformation in a renovation project, and to meet true feelings in the original space, PROJECT took place in the use of the AR augmented reality technology to simulate the transformation plan and guide space. Through the AR technology, we will design scheme in real project, simulate the real use of lining, and looking for design scheme in the real environment of space scale and aesthetic feeling, thus feedback adjustment and demonstrates once again back to the computer.
改造建筑本质上是在跟时间对话。空间逻辑是对原始空间的存在意图的尊重与挖掘。新空间的诞生时刻始于诸如对内外部关系的充分思考，发展于使用与体验过程中对场所的解读与认知，终于对材料与结构的感性建构。C19的改造或许将成为我们改造设计上的一个转折点。
Renovation is essentially a conversation with time. The logic of space serves to respect and exploit the will and intention of the original space. The birth of new space begins with the full consideration of inteal and exteal relations, the development of the use and experience of the site interpretation and cognition, finally the material and structure of the perceptual construction. The transformation of C19 may be a tuing point in our design.
项目地点：北京市丰台区
项目性质：厂房改商业办公
设计周期：2017.12—2018.1
建造周期：2018.1—2018.3
设计单位：普罗建筑
主持设计师：常可、李汶翰、刘敏杰
设计团队：姜宏辉、张昊、赵建伟、林旺铭、冯攀遨
摄影：孙海霆
Location: Fengtai, Beijing, China
Function: Factory renovate into commercial office building
Design period: Dec 2017-Jan 2018
Construct period: Jan 2018-Mar 2018
Design Company: PROJECT
Leading architects: Chang Ke, Li Wenhan, Liu Minjie
Design group: Jiang Honghui, Zhang Hao, Zhao Jianwei, Lin Wangming, Feng Panao
Photograph: Sun Haiting
版权声明：本文由普罗建筑授权发布，禁止以有方编辑后版本转载。
上一篇：他们是二十世纪最酷的建筑小组
下一篇：兼容的现代：芝加哥和美东的现代建筑 · 前言