几何穿插：回艺术中心 / AD艾克建筑

编辑：楼樱 | 校对：李博超 | 2023.01.10 11:48

设计单位 艾克建筑

项目地点 广东汕头

建成时间 2022年12月

建筑面积 1600平方米

本文文字由设计单位提供。

回艺术中心，由汕头商业艺术机构与管理咨询团队未来愿景创办。艺术中心坐落于十一合艺术村的主要干道上，这里曾经是一个沉寂的村落，人们出海下田，靠天吃饭。随着生活水平不断提高，村民们陆续搬出旧屋，在新分配的土地上建起几层楼高的方块状楼房，这是一个时代变迁的印记，旧屋与新房穿插构成，艺术中心的出现为艺术村的形象增添了艺术色彩。

Future Artspace H is established by Future Vision, a Shantou-based emerging institution dedicated to commercial art and management consulting. Future Artspace H is located on the main road of Shiyihe Village. With the improvement of living standards, residents in the village, who used to make a living by farming and fishing, have moved out of their old houses and have built multi-story square-shaped new residences on designated plots. The new and old buildings interweave in the village, reflecting the traces of evolution. The construction of the project would inject an artistic vibe into the village in the context of rural renewal.

01

设计的边界

在设计中，我们试图探讨项目本身的边界，而在建筑之外，设计的边界将从城市与社会的角度去发声。这是一种自我审视的姿态，跳出建筑的传统定义，从城市和社会的角度去思考，融入终端消费市场、走进大众生活的艺术化空间和内容，承载着设计应有的价值和温度。

In this project, AD ARCHITECTURE pondered the boundary of the project beyond architecture, trying to speak for the city and society through design. Breaking away from the conventional connotation of architecture, the design team approached the project from the perspectives of the city and society, intending to create an art space that integrates into both the market and the public life, to convey the value and warmth of design.

▲ 项目视频 ©艾克建筑

村落的建设一直是在没有规范的规范中发展，设计师谢培河从小在新溪镇长大，见证了这种村落在不和谐中发展成一种畸形的和谐。在传统的潮汕民居中，一栋栋独立的盒子正在不断地吞噬传统的居住美学，形成一种变异的秩序，“作为一个设计师我想我有这个义务去为这种变异做点什么，也想重新来激活和定义这些奄奄一息的土地，这个过程的变化是设计的意义。”因此，本次设计希望建立新的秩序与商业目的，重构新社区的架构。

For a long time, rural construction in many villages has evolved in the absence of planning. The chief designer Xie Peihe, growing up in Xinxi Town where the project is located, witnessed the disharmonious evolution of the built environment of local villages, and has noticed that box-like new constructions built amidst traditional houses are erasing traditional architectural aesthetics. As a professional designer, Peihe felt the responsibility to do something to activate and redefine the lifeless rural neighborhoods.

This project is intended to create new order, introduce commercial art, and help shape a new community.

02

未见留白

在空间设计中，留白是一种形式，一种无为，一种利他，一种精神。在这里我们所说的留白是一种看不见的留白，是一种商业手段与商业计划，我们希望突破功能的束缚。空间设计的底层逻辑是婚礼宴会功能，基于婚礼对时间的严谨性，场地必定会出现许多空窗期，对功能的留白可以产生更多的定义，这是一个多元的艺术场景，是商业与艺术的复合体。

With a simplistic design approach, AD ARCHITECTURE created “empty” spaces, in order to offer more functional possibilities to support commercial operations of the venue. Starting from an assumed basic function for weddings and banquets, the design team endowed the place with undefined possibilities, to allow for more effective use of space and enrich its operations. In this project, AD ARCHITECTURE created diversified art scenes, and produced a hybrid of commerce and art.

建筑的功能是一种假设，我们想构筑的并不是固定的空间结构（功能与行为），我们只是在设想人与空间产生联系后，与场所产生多种可能性，这样设计又可以在商业计划里回归纯粹。这是一种无度的理智。

The functions of the space are not fixed, but are defined by users. The design team imagined a place with infinite possibilities triggered by the connection between users and space. The design well balances art and commerce. The overall design is based on rational thinking.

03

建筑的立场

以抽象几何为基础，我们又一次以极简的艺术设计语言传达，吸引人们不自觉地想要到处走动。内庭与外院让人停留与聚集，传统的院落用当代的形式呈现，空间里与外、建筑与环境、建筑与人都在产生互动，打造一个以人为中心的艺术空间。

Playing with abstract geometry, the design team created a simplistic, artistic building that invites visitors to explore. Drawing on the wisdom of traditional courtyards, the inner and outer yards gather people and present a modern form. The design creates interaction between interior and outside, architecture and environment, architecture and people, and produces a truly people-oriented art space.

我们希望复杂的世界变得纯粹，我们想突破建筑本身，从而凸显参与空间的人与场地对周围的影响，而这种影响是悄无声息的。

Through a pure building form, Xie Peihe and his team hope to enable the venue and people engaging with the space to exert a subtle impact on the surroundings.

04

外向性

设计除了物体本身，物体对周围的作用也是设计过程中值得去思考的。天际线的突破是设计中计划的，又略带意外的一个结果。建筑的力量可以集中在一条弧线上划破平静的天空，吸引所有人的眼球，同时让平庸的村落变得唯美与具有艺术感。

In this project, the design team considered the building’s interaction with the surrounding environment. The architecture creates an iconic skyline, with a curve producing an eye-catching visual identity, which adds an aesthetic and artistic touch to the mediocre village.

05

自由与规范

每一天空间的形态让光与影在丰富的变化中产生各种自由的形态，这是一种变化的美，光使空间让人变得更加地期待，而这些自由是被提早设定的，这是一种规范的自由。光的轮廓烘托物体的力量，这次我们对光的理解并不是神性的，而是一种自然与变化的力量，自然光的形状是通过影来传达。

The free changes of light and shadows enrich the form of the space throughout the day, resulting a varying aesthetic and a more intriguing space. The free light and shadow effects are preset through design strategies. The light sets off structures and space. In this project, AD ARCHITECTURE didn’t see light as a symbol of divinity, but a power that represent nature and variation. The form of natural light is expressed by it shadows.

06

亲民美学

设计从方案到落地的过程一直是行业所讨论的，而使落地能够更接近设计状态的呈现是我们所追求的，将一个普通的钢结构与大白墙设计好是我们设计的原则。极简美学是没有距离感的，宽容带来的丰富感，平淡却丰盈。

For this project, AD ARCHITECTURE conceived a simple building featuring common steel structures and large white wall surfaces, and ensured the perfect execution of the design scheme. The minimalist aesthetics of the building conveys a sense of affinity. It's simple, yet inclusive.