MVRDV改造新作：Tripolis办公园，新旧建筑彼此“镶嵌”

编辑：李翊娴 | 2024.10.24 09:55

由MVRDV改造的Tripolis办公园已正式完工，原建筑是荷兰现代主义代表的著名建筑师Aldo van Eyck晚期的经典项目之一。受阿姆斯特丹地产开发商Flow Development委托，MVRDV依据Van Eyck的原始设计修复了三座历史建筑中的两座，并在场地边缘增加了一座12层高的“伏地大楼”，以保护原建筑群（包括旁边同为Van Eyck设计的阿姆斯特丹孤儿院）免受来自A10高速公路的空气污染和噪音干扰。新建筑与历史建筑之间以彼此“镶嵌”的形式结合，保留了适当的间隙，衍生出充满惊喜的空间，并通过连桥连接，实现新与旧之间巧妙的融合和对话。

The construction of Tripolis Park, which renovates and transforms one of the last projects completed by the celebrated Dutch modernist architect Aldo van Eyck, is complete. On behalf of developer Flow, MVRDV restored two of the three listed heritage buildings in line with Van Eyck’s original designs and added a 12-storey “landscraper” along the edge of the site to shelter the complex (which includes Van Eyck’s Amsterdam Orphanage next door) from noise and dust generated by the adjacent A10 highway. The new building is careful in its relationship with the heritage buildings, keeping a respectful distance so that an exciting in-between space emerges where the two meet, with bridges crossing overhead to connect old and new.

Tripolis办公园最早由三座造型独特办公建筑组成，面积分别为11,000、8,000和6,000平方米，它的建造与Van Eyck的杰作——阿姆斯特丹孤儿院有着千丝万缕的联系。孤儿院于1960年竣工，是结构主义运动最具代表性的项目之一，但到1986 年时已经面临拆除的威胁。然而一场成功的公众请愿活动使得孤儿院最终得以保留，之后，阿姆斯特丹市政府将相邻的土地提供给开发商，前提条件是Aldo和妻子Hannie van Eyck必须在基地内设计一座新的办公园。1994年，Tripolis办公园建成，也因此被当做守护孤儿院的象征。

The creation of Tripolis, a trio of idiosyncratic office buildings of 11,000, 8,000, and 6,000 square metres, was inextricably linked to Van Eyck’s masterpiece, the Amsterdam Orphanage. Completed in 1960, the orphanage was one of the most important projects of the Structuralist movement, yet by 1986 it was already threatened with demolition. A successful international campaign was launched to save the orphanage, and the municipality of Amsterdam offered the adjacent land to the developer – on the condition that Aldo and Hannie van Eyck should design the new office complex. In 1994, their new design was completed, and thus Tripolis began its life as the symbolic saviour of the orphanage.

MVRDV对Tripolis办公园的改造无疑为这段历史书写了新的篇章。最初，Aldo设计的Tripolis在建成后并没有取得预期的商业成功，空置多年。再加上当时即将延伸至此处的A10高速公路（包括在Tripolis旁的新入口匝道）可能会带来噪音和灰尘污染。正如1980年代的孤儿院一样，Tripolis也需要通过新的干预带来新的活力和价值。通过对历史档案的研究，以及与Van Eyck继承人的密切合作，MVRDV 的改造设计不仅对建筑进行了修复，而且进一步还原了Van Eyck的设计初衷。例如，原设计稿中的办公楼外墙应该选用木材覆盖，而不是1990年代开发商为节约成本而采用的便宜木材与花岗岩的组合。同时，原建筑的多色窗框也得以保留。

MVRDV’s design makes the next step in this history. The original Tripolis did not prove commercially successful, standing empty for years. Meanwhile an upcoming expansion of the adjacent A10 highway, which includes a new on-ramp right alongside the Tripolis site, threatened to bring increased noise and pollution. Like the orphanage in the 1980s, the Tripolis buildings, in turn, needed an intervention to ensure their future. Following archival research and close collaboration with Van Eyck’s heirs, MVRDV’s design has restored the buildings’ façades not to their original state, but one step better: to Van Eyck’s initial designs. For example, the façades are now fully clad in wood, unlike the cheaper wood and granite combination requested by the Tripolis developer in the 1990s. The building’s multi-coloured window frames are also retained.

新建筑与历史建筑之间以彼此“镶嵌”的形式结合，保留了适当的间隙，衍生出充满惊喜的空间，并通过连桥连接，实现新与旧之间巧妙的融合和对话 ©Ossip van Duivenbode

屋顶增加了绿化、增设凉亭，充分利用屋顶空间，为办公人员提供休息、互动和活动的场所 ©Ossip van Duivenbode

在室内空间的改造中，MVRDV保留了楼梯和天然石材地板等特色元素，同时通过现代化的更新，实现办公空间的升级，赋予更加激励协作和开放的氛围。拆除了原有的隔墙，打造通透的空间，并增加了可持续的设计。在屋顶增加了绿化、增设凉亭，充分利用屋顶空间，为办公人员提供休息、互动和活动的场所。同时安装了太阳能板，项目也因此获得了BREEAM可持续建筑评估体系“杰出（Outstanding）”级别认证。

Inside, the renovation keeps characteristic elements such as the staircases and the natural stone floors, but it also adapts the buildings to bring them in line with modern standards, where offices are increasingly seen as spaces for meeting and collaborating. Dividing walls have been removed, so that the building is less compartmentalised, while various interventions make the building more sustainable. The roofs are now used more intensively, with greenery and pavilions that enable interaction between all users of the complex and which can be used for events. Solar panels are also introduced, helping the development achieve BREEAM Outstanding sustainability certification.

在对原建筑进行翻新之外，MVRDV还在基地边缘处增加了一座12层高的“伏地大楼”，名为“窗口（The Window）”，紧邻A10高速公路，形成一道隔离噪音和空气污染的屏障。这座34,000平方米的办公大楼采用了网格状的立面，南面切出了一个大尺度的矩形窗口，透过窗口可以看到原有的Tripolis建筑群，保留了项目的历史记忆。北立面则通过充满趣味性的起伏形态巧妙呼应了原Tripolis建筑群的复杂轮廓。起伏的立面在室内顺延出巧妙的过渡空间，隔绝了高速路的噪音，富有趣味性，并通过连桥实现了新旧建筑的连接。

The project isn’t just a renovation, however: a 12-storey landscraper known as “The Window” stands on the edge of the plot, pushed as close as possible to the A10, to form a protective wall between the highway and the rest of the site. A large rectangular window has been cut from the gridded south facade of the 34,000-square-metre office building, offering a view upon the original Tripolis complex to emphasise the project’s heritage aspects. On the other side of the building, the northern facade responds playfully to the Tripolis buildings, indented by an “echo” of their complex shapes. This intervention creates an undulating interior, an exciting, low-noise intermediate space where bridges connect the old and new buildings.

新增建筑南侧的立面采用平铺直叙的简约风格（上），而北立面因顺延现有建筑的起伏屋顶，形成“凹陷”式的构造，在新旧建筑中制造出有趣的“镶嵌”空间（下） ©Ossip van Duivenbode

“当历史建筑和旧建筑不再适用时，拆除总是最简单的选择，尤其是当它位于高层建筑占主导地位的商业区时，”MVRDV创始合伙人Winy Maas说道。“Tripolis办公园的改造提供了一种保护历史建筑的特别方法，同时满足了当下市场对办公建筑和空间的需求。它结合了新的密度，延续了阿姆斯特丹南区的发展进程；它也并没有单纯复制Van Eyck的初衷，而是创造了新的需求和新的时间层次。它强调了‘中间的空间’，正如我还是学生时Aldo告诉我的，‘中间的空间’正是建筑之美的主要起源之一。”

“Demolition of heritage is always the easy option, especially if it is located in a business district dominated by high-rise buildings,” says MVRDV founding partner Winy Maas. “Tripolis Park offers an approach to protecting heritage that at the same time meets people’s expectations for an office today. It combines this with new densification, a continuation of the development at Amsterdam Zuidas, that doesn’t copy Van Eyck’s intention, but creates a new one, like a new layer in time. And it celebrates the in-between which, as Aldo explained to me when I was a student, is one of the main sources of beauty in architecture.”

Tripolis办公园完成改造之后，Van Eyck的经典作品又重新回到了办公地产市场，吸引了Uber和荷兰知名律师事务所De Brauw Blackstone Westbroek等头部企业入驻。未来几年，原Tripolis办公楼的第三栋建筑将继续进行修复，场地的绿化也将持续进行，人们可以通过步行或骑自行车从这里到达附近的地铁站和阿姆斯特丹商务区的其他目的地，从而形成一个公园式的办公园区，Aldo van Eyck在1960年和1994年完成的这两座建筑经典也得到了应有的庇护。

With Tripolis Park, Van Eyck’s monument is re-established within the current office rental market, evident in the fact that it has attracted two prestige tenants in Uber and law firm De Brauw Blackstone Westbroek. In the coming years, work will continue on the third of the original Tripolis buildings. The greening of the site, which will be easily accessible via walking and cycling paths from the other parts of the Zuidas and the nearby metro station, will also continue, forming a park-like campus in which Aldo van Eyck’s buildings – from 1960 and 1994 alike – are sheltered and preserved.