旧仓库的延续：葡萄牙比什普镇博物馆 / spaceworkers

编译：王子萱 | 校对：王子萱 | 2026.05.19 11:40

设计单位 spaceworkers

项目地点 葡萄牙比什普镇

建成时间 2024年

建筑面积 1100平方米

本文英文原文由spaceworkers提供，由有方编译。

保留场地的身份特征以及原有建筑的属性，是此次介入设计的核心理念。因此，我们提出在既有建筑基础上增设一个新的体量，如同延续并复制相邻仓库的形态，以呼应城市与形式上的连续性。同时，这一新增体量也拥有属于自身的独立身份，既作为整个建筑群的主入口，也以当代介入的方式，重新定义并保护既有建筑的形象与价值。

Preserving the identity of the place and the characteristics of the building in question gave us the motto for the intervention. Therefore, we proposed the addition of a new volume to the existing construction, as if replicating the shape of the contiguous ships, appealing to an idea of urban and formal continuity, but at the same time, being able to call itself an identity of its own capable of constituting itself as the main entrance of the set and assuming its intervention in time, valuing and safeguarding the image of the existing building.

新的体量延伸至地块南侧边界，容纳技术、行政及公共服务功能，从而释放原有“仓库”建筑的整个内部核心空间，用于设置展览区域，并使其成为本次改造中最重要的功能部分。

The new volume extends to the southern limit of the lot, housing the technical, administrative, and social functions, thus freeing the entire inner core of the existing "warehouses" to receive the exhibition area, thus assuming the most important function of this intervention.

原有两座仓库式空间的覆盖面积约为680平方米，整体采用更为中性的灰色，以实现统一处理，并强化其形式上的抽象感。

The two previously existing naves, with about 680m2 of covered area, take on a more neutral color, gray, to homogenize them and ensure their formal abstraction.

在内部，同样的空间则被覆盖为黑色，以突出承载展览的动态形态。这种形态如同一种有机的“痕迹”，既形成不同主题的展览空间，也清晰且直观地组织了参观动线。

Inside, this same nave is covered in black, to highlight the dynamic form that receives the exhibition, a kind of organic footprint, which creates thematic exhibition bags and organizes the exhibition route clearly and intuitively.

与这种对现有建筑进行色彩抽象化的尝试形成鲜明对比的是，新建体量则完全采用混凝土建造，我们建议将其涂成红色，使其成为城市与航拍景观中的视觉锚点，以鲜明的方式标记场地。

In contrast to this attempt at chromatic abstraction of the existing, the new volume appears, totally in apparent concrete, for which we propose a red pigmentation, assuming itself as a reference point in the urban and aerial landscape indelibly marking the territory.

这个位于原有建筑“末端”的新体量，它以一种精妙的方式重新演绎了既有建筑的形态，在虚实之间建立平衡，并进一步强化入口、公共停留空间以及与周边景观之间的层次关系。

This formal "end" of the existing, recreates the form of this, in a delicate way, in a balance between full and empty, which hierarchizes entrances, living spaces, and relationship with the surrounding landscape.

最终呈现的是一座仿佛一直存在于此的博物馆。对于记得旧谷仓的人来说，它延续了过去的记忆；而对于年轻一代而言，它则成为那座“红色博物馆”，并逐渐融入城市居民共同的集体记忆之中。

The result is a museum that gives the idea that it has always existed there, both for the older ones who remember the barns and for the younger ones who remember the red museum, which is part of the collective image of the population.