波尔图Miramar住宅塔楼，阳台层层“滑动” 成螺旋 / OODA

编译：王子萱 | 校对：王子萱 | 2026.11.13 16:33

项目外观摄影：Fernando Guerra

△ 项目外观摄影：Fernando Guerra

项目局部鸟瞰摄影：Fernando Guerra

△ 项目局部鸟瞰摄影：Fernando Guerra

露台与花园摄影：Fernando Guerra

△ 露台与花园摄影：Fernando Guerra

设计单位 OODA (Oporto Office for Design and Architecture)

项目地点 葡萄牙波尔图

建成时间 2025年

建筑面积 6000平方米

本文英文原文由OODA提供，由有方编译。

Miramar住宅塔楼因其在景观中的独特性与临近海面的位置而显得突出。它与北侧Pasteleira公园的建筑在比例与尺度上相近，概念取向上却完全不同。

Standing out for its uniqueness in the landscape and for its proximity to the sea, Miramar Tower is similar to the buildings in Pasteleira Park to the north, in proportion and dimension, but otherwise completely distinctive in its concept approach.

项目远景摄影：Fernando Guerra

△ 项目远景摄影：Fernando Guerra

项目外观摄影：Fernando Guerra

△ 项目外观摄影：Fernando Guerra

体量的构成来自建筑学的驱动力：设计希望发展出每层阳台面积超过200平方米的住宅类型。裙房之上升起一个15层的垂直体量，与道路平行，高度与本区域的塔楼建筑大致相当。把建筑放在地块最中央的位置，为所有相邻建筑留出了最大间距。

The volumetric composition is the result of the architecture drive with the ambition to develop housing typologies with more than 200 square meters of balcony areas per floor. On the top of the podium, a vertical volume with 15 storeys emerges, parallel to the road and with roughly the same height as the tower buildings in this area. By locating the building in the most central part of the plot, it ensures maximum spacing for all adjacent buildings.

项目外观摄影：Fernando Guerra

△ 项目外观摄影：Fernando Guerra

建筑呈现出带有垂直树枝状剖面的结构主义基质，可适应户型的优化。各层由一至两间房间构成，形成一种螺旋式的空间布局，露台360度的旋转与造型，赋予其视觉上和实际上的垂直感。

Evidencing a structuralist matrix with vertical dendriform section, the building is adaptable to the typology optimization. The floors, organized with one or two rooms, create a spiral speech where the apparent rotation and modelling of the terraces at 360 degrees give it a visual and real sense of verticality.

项目局部空间摄影：Fernando Guerra

△ 项目局部空间摄影：Fernando Guerra

细节摄影：Fernando Guerra

△ 细节摄影：Fernando Guerra

每套住宅都有自己的个性，四周环绕露台与花园。为了更好地回应项目的独特性、避免“似曾相识”之感，塔楼通过“滑动”阳台区域的水平楼板获得动感。

Each house has its own individuality with a surrounding terrace and garden. To better address the uniqueness of the project and to avoid a ‘dejá-vu’ feeling, the tower gets some dynamism by ‘sliding’ the horizontal slabs on the balcony area.

这些阳台既构成了设计概念的主旨，也为以混凝土为媒介的塑性与雕塑创作提供了契机。公共空间是流动的，消融在室内外的关系里，甚至消融在远处的地平线中；房间则是分隔的。在两者之间，各种使用因“例外”而获得优先。

The balconies create both the concept theme and the opportunity for the plastic and sculptural exercise that was conceived in concrete. Between the fluidity of the common spaces that are lost in the interior-exterior relationship and even in the distant horizon and the compartmentalization of the rooms, the uses are privileged by the exception.

项目局部鸟瞰摄影：Fernando Guerra

△ 项目局部鸟瞰摄影：Fernando Guerra

露台与花园摄影：Fernando Guerra

△ 露台与花园摄影：Fernando Guerra

项目室内摄影：Fernando Guerra

△ 项目室内摄影：Fernando Guerra

首层一个与其他功能相连的中庭引入自然植被，提供与周边自然环境相连的生物多样性微气候。在唤起塔楼记忆的复兴主义与“整体空间即整体生活”的观念之间——后者能够吸纳周围的环境——建筑获得了一个有力而自信于自身尺度的形象。

On the ground floor, an atrium associated to other uses has natural vegetation providing a microclimate of biodiversity linked to the natural surroundings. Between a revivalism that evokes the tower and the notions of total space as total life, capable of absorbing the environment that surrounds it, a vigorous and proud image of its scale is obtained.

项目局部空间摄影：Fernando Guerra

△ 项目局部空间摄影：Fernando Guerra

“Miramar住宅塔楼几乎是一场完美风暴：它在我长大的地方，在我从未想过会来设计、并加建一座塔楼的景观里。在这里，我们需要找到50位开发商，才能遇上一个人，愿意带着这样的胆识与足够的雄心，去发展每层阳台面积超过200平方米的住宅类型。在一座有强烈美学驱动的塔楼里，正是这些全景而动态的阳台，既构成了概念主题，也造就了完全以混凝土实现的塑性雕刻练习的机会……我们想要某种不可复制的东西……一座可居住的雕塑。”

“The Miramar Tower is almost a perfect storm, in the place where I grew up and in a landscape in which I never imagined coming to design and add a tower. Here, we would need 50 promoters until we can find someone who, with the boldness and sufficient ambition, agreed to develop housing typologies with more than 200 square meters of balcony areas per floor. In a tower with a strong aesthetic drive, it is these panoramic and dynamic balconies that create both the concept theme and the opportunity for the plastic and sculptural exercise that was conceived entirely in concrete. (…) We wanted something potentially unrepeatable… a habitable sculpture.”

——Diogo Brito，OODA合伙人

Diogo Brito, Partner at OODA

项目夜景摄影：Fernando Guerra