MVRDV在建方案：深圳碧海楼“艺术村落”，堆叠的多彩盒子

编译：王子萱 | 校对：王子萱 | 2026.08.06 16:12

设计单位 MVRDV

项目地点 广东深圳

方案状态 在建

建筑面积 6500平方米

本文英文原文由MVRDV提供，由有方编译。

MVRDV设计的碧海楼“艺术村落”目前正在建设中。这一集文化与商业功能于一体的综合项目位于深圳沙头角，距离深港边界仅一步之遥，将成为社区中极具视觉吸引力的核心地标。

Construction is underway on the MVRDV-designed Bihailou Art Village, a mixed-use cultural and commercial centre that forms an eye-catching focal point for the community in Shatoujiao, just a stone’s throw from the Shenzhen-Hong Kong border.

设计采用“垂直村落”（Vertical Village）理念，通过多彩且形态各异的堆叠体块构成独特形象。在这一理念的支撑下，项目所实现的不仅是引人注目的外观：每个功能单元都被置于独立的“房屋”之中，并拥有各自的形态、色彩和材料，使不同功能可以在不同时间段独立运行。同时，建筑内部的流线空间与露台均可自由进入，将传统商业综合体重新定义为一个全天候活跃的三维文化景观。

With its multicoloured stack of irregular shapes, the design is based on the concept of the Vertical Village. Underpinned by this concept, the project gains much more than just a spectacular appearance: with each element of the programme contained in its own “house”, complete with an individual shape, colour, and material, different functions can operate at different hours. Meanwhile the circulation spaces and terraces can be freely accessible – redefining the traditional commercial complex as a three-dimensional cultural landscape that is active at all hours of the day.

“垂直村落”概念最初由智库The Why Factory与MVRDV于2011年提出，并于2012年出版成书。面对亚洲城市快速密集化以及日益趋同的发展趋势，该概念提出了一种新的发展模式：将乡村生活中的个性与社区感，与城市的高密度特征结合起来。每位居民都可以设计自己的房屋，并以堆叠方式组织，使每个人都拥有独立入口，同时获得景观视野和自然采光。

The Vertical Village concept was first developed by the thinktank The Why Factory and MVRDV in 2011 and published as a book in 2012. In response to the rapid densification – and increasing homogeneity – of Asian cities, it proposed a development model that would combine all the individuality and community of village life with the density of the city: each resident would be able to design their own house, and they would be stacked in a manner that everybody has their own front door and access to views and natural light.

深圳碧海楼“艺术村落”通过多种方式将这一概念转化为零售与文化中心的设计策略。不同于单一的大体量建筑，艺术村由多个碎片化体块组成，其尺度更加贴近人的感受，也呼应了沙头角其他建筑所呈现出的视觉多样性。不同于由居民自主设计住宅的原始设想，艺术村中的多个功能空间分别通过色彩、形态和材料建立独特身份，这些设计元素均受到周边建筑以及曾经位于该场地上的知名餐厅“碧海楼”的色彩、形态与材料启发。

The Shenzhen Bihailou Art Village adopts this concept to serve the function of a retail and cultural centre in a number of ways. Instead of a single large volume, the fragmented elements of the art village match the human scale and visual diversity of the other buildings in Shatoujiao. Instead of residents who would design their own individual house, the Art Village has many different functions that are each given a sense of identity by their colour, shape, and material – all features inspired by the colours, shapes, and materials of both the surrounding buildings and the Bihailou building, a well-known restaurant that once occupied the site.

每一座“房屋”都根据其承载的功能进行设计。例如，多功能演艺厅拥有大尺度的双层高空间，配备可收缩座椅，可根据需求转变为宽敞的展览大厅；面向相邻广场的通高玻璃窗，则创造了室内外之间意想不到的互动。而商店和餐厅等功能，则可以容纳于设计中尺度更小的体块内。

Each “house” is designed to fit the function that occupies it: for example, the multifunctional performance theatre gets a large, double-height space, with retractable chairs that allow it to transform into a spacious exhibition hall, and a floor-to-ceiling window facing the neighbouring plaza that allows unexpected interactions between inside and out. Meanwhile, shops and restaurants can find a home in the design’s smaller blocks.

尤为重要的是，正如“垂直村落”中的居民拥有自己的独立入口一样，艺术村中的每个“房屋”也都拥有独立入口，这意味着建筑内部的交通空间本身也成为公共空间的一部分。这一设计使建筑内所有功能，包括商店、餐厅、剧场以及展示沙头角独特文化遗产的鱼灯博物馆，都能够独立运营，并自主决定开放时间。同时，堆叠体块中心的楼梯、自动扶梯、坡道和连桥始终保持开放状态。访客穿行于这一网络之中，可以透过体块之间的缝隙不断观察周边环境，最终抵达项目多个屋顶露台之一，在一天中的任何时间欣赏山景、城市景观和海湾景色。

Crucially, just as residents of the Vertical Village would have their own front door, each “house” in the Art Village has its own entrance, meaning that the building’s circulation is part of the public space. This allows all the building’s functions – the shops, restaurants, theatre, and the Fish Lantern Museum that celebrates the unique cultural heritage of Shatoujiao – to operate independently, choosing their own opening hours. It also means the stairs, escalators, ramps, and gangways at the heart of the stack are permanently accessible; as visitors traverse this network, they will be able to glimpse the surroundings through the many gaps between the boxes, until they reach one of the project’s many roof terraces for views of the mountains, the cityscape, and the bay at any time of the day.

MVRDV创始合伙人Winy Maas表示：“这一设计的魅力在于其中的矛盾性。它从远处看十分震撼，而走近之后，每个空间又呈现出亲密感。它看似复杂，但‘每种功能对应一个空间’这一理念其实非常简单。尽管它看起来像是一种前所未有的形式，但实际上，它重新组合了周边村落的元素：融合了邻近建筑以及曾经位于此地餐厅的色彩、材料和形态。距这本书出版十五年后，它回应了让城市回归人性的倡议，与世界各地尤其是深圳大量出现的单一尺度高层开发形成对比。它将高密度与人性结合起来。如果我们能够把所有城市都建设成这样，会怎样？”

“The joy of this design lies in its contradictions”, says MVRDV founding partner Winy Maas. “It looks spectacular from afar, and up close, there is an intimacy to each space. It looks complex, but the idea of one space for every function is really quite simple. And though it may look like something that has never been done before, it is in fact a remix of the surrounding village: combining the colours, materials, and shapes of both its neighbours and the restaurant that once stood on this site. Fifteen years after the book, it manifests the call to humanise the city, in contrast to the scale of the monolithic tower developments all over the world, especially in Shenzhen. It combines density with humanity – what if we could make all our cities like this?”

深圳碧海楼“艺术村落”坐落于一座广场的中心，而这座广场本身也是整个社区的核心。因此，项目设计体现出强烈的公共性与开放性，不仅通过全天候开放的空间和公共屋顶露台实现，也体现在地面层。堆叠式建筑形态创造出连续的悬挑空间，为人们提供遮阳避雨的场所。建筑周边景观设计则与现有广场无缝融合，进一步强化建筑作为沙头角村落整体组成部分的角色。

The Shenzhen Bihailou Art Village sits as the centrepiece of a plaza that itself is at the heart of its neighbourhood. As such, the design is imbued with a civic generosity, not only in the form of its permanent accessibility and public roof terraces, but also on the ground level, where the stacked shape creates overhangs where people can shelter from sun and rain. The landscaping surrounding the building is designed to blend seamlessly with the existing plaza – cementing the building as an integral piece of the village of Shatoujiao.