废墟上的茶棚：滋生·御窑茶坊 / 介介工作室

编辑：李博超 | 校对：李博超 | 2024.09.27 19:23

设计单位 介介工作室

项目地点 中国北京

竣工时间 2024年2月

建筑面积 50平方米

本文文字由设计单位提供。

缘起

2023年春末之际，我们受景德镇御窑博物院委托，为其设计在北京的展厅及配套空间。场地在全国农业展览馆的红房子艺术空间内，滋生·御窑茶坊作为展厅的配套茶室，面积不大，五十平方米左右，承载着茶饮、文创展卖等功能。

At the end of spring in 2023, we were entrusted by the Jingdezhen Imperial Kiln Museum to design its exhibition hall and supporting spaces in Beijing. The venue is located within the Red Brick Art Space of the National Agricultural Exhibition Center, with the Zishi Imperial Kiln Tea House as the complementary tea room to the exhibition hall, covering an area of about fifty square meters, hosting functions such as tea drinking and creative cultural product sales.

场地位于农展馆后湖北边，之前作为后勤用房而使用，因其红砖外墙特征，被亲切地称为“红房子”。我们受托对这栋一层平房进行室内改造，遵循不改变其原有建筑风貌和结构完整性的原则进行设计。

The site is located on the north side of the rear lake of the Agricultural Exhibition Center and was previously used as a logistics building. Due to its distinctive red brick exterior, it is affectionately referred to as the "Red House". We were entrusted with the interior renovation design of this single-story bungalow, while adhering to the principle of not altering its original architectural style and structural integrity during the design process.

搭建一个废墟之上的茶棚

作为景德镇御窑博物院在北京的展览空间，我们抽象出了“被挖掘的遗址现场”为的概念作为展厅的空间设计概念，创造出一种时空对话。而展厅的配套空间，滋生·御窑茶坊在遗址旁的院宅废墟上应运而生，旨在转译百年的喝茶文化。

As the exhibition space of the Imperial Kiln Museum in Jingdezhen, we have abstracted the concept of "excavated archaeological site" as the spatial design concept for the exhibition hall, creating a dialogue across time and space. The supporting space of the exhibition hall, the Zishi Imperial Kiln Tea House, has emerged from the ruins of the courtyard next to the archaeological site, aiming to interpret the century-old tea culture.

那位于遗址边上的废墟上的茶坊应该是什么样的呢？坍塌后的几片残墙，被时间侵蚀后独剩的台基，或者还有糟朽到一半圆柱……是这片废墟的状态。

What would the tea house on the ruins next to the site look like? The collapsed walls, the weathered pedestal standing alone, or perhaps the half-rotted pillars that is the condition of these ruins.

我们通过四层置入完成了院宅废墟上茶棚的情境意向转化，意在塑造一个在断壁颓垣间临时搭建起的茶棚场景——首先，置入台基，象征着时间的流逝与建筑的遗存；第二层为残墙的置入，复刻原有院宅的残墙，保留坍塌后的结构状态；第三，搭建茶坊操作台和棚顶，形成茶室的必备框架；最后，置入家具，形成完整的品茶空间。

Through the four-layer installation, we have achieved the transformation of the tea pavilion on the ruins of the courtyard, aiming to create a temporary tea pavilion scene amidst the broken walls and ruins. Firstly, the installation of the platform symbolizes the passage of time and the remains of the architecture. The second layer involves the installation of the remaining walls, replicating the original state of the courtyard, and preserving the collapsed structural status. Thirdly, the construction of the tea kiosk operation platform and the pavilion roof forms the essential framework for the tea room. Finally, the placement of furniture completes the entire tea-tasting space.

在原有废墟结构的基础上，我们融入轻质新材料，如纸面、桦木板和透光亚克力，创造出茶坊的顶面和窗户。这些材料的组合不仅赋予空间的临时性，也唤起了在自然环境中因地制宜、构筑简单居所的记忆。

Upon the existing ruins, we integrate lightweight new materials such as paper panels, birch wood, and translucent acrylic to create the roof and windows of the tea house. This combination of materials not only bestows a sense of transience to the space but also evokes memories of adapting to the natural environment and constructing simple dwellings.

废墟结构的保留与临时性

在平面布局上，我们根据原有空间特征，规划出一套融合院宅废墟元素的平面布局：从入户庭院到大厅，到厨房，从小庭院到雅室，皆由这套院宅废墟原有的平面生发而成。

In the layout, we have devised a plan that integrates the elements of a residential ruin based on the original spatial features. From the entrance courtyard to the hall, and from the kitchen to the small courtyard and the elegant chambers, all have evolved from the original plan of this residential ruin.

光和影的时间性

为了捕捉光与影的时间性，我们在茶坊内设计了一个发光顶，模拟临时茶棚的自然光线。可开合的亚克力窗户不仅调节光线，还让微风进入，成为室内的一部分，增强了时间流动的感觉。

In order to capture the temporality of light and shadow, we have designed a luminous ceiling within the teahouse, simulating the natural light of a temporary tea pavilion. The adjustable acrylic windows not only regulate the light, but also allow the gentle breeze to enter, becoming an integral part of the interior, enhancing the sensation of time flowing.

结语

滋生·御窑茶坊的设计实践，始于“废墟上的茶棚”这一情境意向，贯彻了从平面结构到空间结构、从形式到做法的始终如一。这次对情境意向转译的探索，是一次对构建画面意向空间的新尝试。

The design practice of Zisheng·Yuyao Tea House began with the concept of "tea pavilion on a ruin", and has consistently implemented the transition from flat structure to spatial structure, from form to approach.