Ninghai is a mountainous area, with the scenery of the sea and the changing of the world, and it was the starting point of Xu Xiake's magnificent tour of China back then. Ninghai Tourism Tourism Center, which carries the image of Ninghai Tourism Gateway, is directly opposite to the exit of the highway, and is also the starting point for exploring Ninghai. Therefore, at the beginning of the design, how to convey the tourism characteristics of Ninghai through the architectural space became a problem that the designer had to face.
The base is located in the southeast of Ninghai Expressway Toll Station in Zhejiang Province, only a river away from Ninghai Auto Life Plaza on the east side, surrounded by mountains in the distance, and noisy buildings in the near distance, the building must be heavy if it wants to stand out. Therefore, the design chooses to make a breakthrough in the scale, with the image of "Big House", towering nearly fifty meters. If you drive far away, you can see it from a distance, and it is almost unavoidable to hit your eyes.
At the same time, as a tourist center, the building itself is expected to be a spokesman for Ninghai Tourism, the big house is only a hint of space, and the "mountain" hidden inside is the center of the experience, the external high walls and big buildings, but inside there are other places, and the mountain itself is controversial.
Why did you build it? Surrounded by real mountains, the "mountain building" in the house is an abstraction and reinterpretation of the natural space, while the real theme lies in the reversal of the relationship between the mountain and the house, from "the house is on the mountain" to "the mountain is in the house", and the core experience of "asking the mountain" is interpreted indoors. From "house on the mountain" to "mountain in the house", the core experience of "asking about the mountain" is interpreted indoors, and the dramatic change brings about public conversation and a special sense of scene.
How do I make a mountain? The art of mountain building, in this more XiGuoYuLiang meaning. Although there is a big house, but not enough to accommodate the real mountains and ravines, if you want to pursue the real feeling of the body immersed in it rather than a complete picture of the miniature presentation, you need to go from the "fist stone for the mountain" to the "big mountain, a foot", from the "small in the see large From "the small is big" to "the less is more". The design adopts Zhang Nanhuan's so-called "seems to be at the foot of a big mountain, cutting off the streams and valleys" method, simulating the real natural scale of the local area in order to obtain a relaxed viewing experience, not to seek for a glimpse of the whole, but only to seek for a glimpse of the amazing.
The building uses modern methods to create a mountain, with a grand structure and ample space. It is not difficult to create the shape, but as a public building with complex functions, creating mountains here is different from creating gardens, and the mood and reality need to be satisfied at the same time. Sightseeing center mainly includes consulting service, tourism trade promotion, tourism commodities, leisure and entertainment, theme hotel, business office and other functions. The designers rely on the characteristics of the mountain to implant the functions and combine them with the spatial characteristics. Specifically, it can be divided into six parts.
The building rises from the urban environment and is both a house and a mountain. At the same time, it solves the problem of elevated parking on the ground floor, which facilitates the access of a large number of traveling vehicles and reduces the amount of underground excavation work.
The mountain inside the house has a large capacity, and the large volume of tourist supermarkets and other services, transportation and logistic spaces are hidden in the belly of the mountain, which is accessible internally but not exposed externally, so that the surface of the mountain is completely open to the public as a base surface for public activities.
As the mountain moves upward, all the ridges are open interfaces, where various commercial functions such as sightseeing consulting service, tourism trade promotion, tourism commodity display and local specialties catering are put in, and the logistic function in the inner part of the mountain belly and the activity platform in the outer part of the foot of the mountain are distinctly differentiated.
Along the hill are layers of platforms, which are not only the expansion of commercial space, but also the carrier of public activities. The platforms are set up between the distance and the pitch of the roofs and become the nodes of stay, so that you can look at the shades of Huagai in the interior, and the long sky of the mountains in the exterior.
Mountain to a high place, suddenly fell inward to form a valley, space towering, open scene, to be used as a water curtain theater, become the activities of the venue to watch the party, and at the same time as the climax of the space to become an inward-looking gathering place, take the meaning of the empty valley Mingyin.
Above the fifth floor is a theme hotel, with guest rooms facing outwards, a terrace under the roof to view the mountains in the distance, and a footbridge inwards to pass through the valley in the air, creating moments of chance encounters between residents and tourists.
To create something is also to create an environment. To hide mountains in a house is to create a strange scene, but hope to give hints of the real world everywhere and show a condensed sample of a trip. The path of traveling is a combination of time and experience. The continuous and grandiose rooftop defines a stable scene, and the relationship between the body and the mountain in this context constitutes the core of the path, while the successive fragments of polysemanticization ultimately constitute a complete impression of the place. "The act of 'viewing' ...... is an exhibitionistic component of visuality, not just a physical activity." Study Ms. Wang Xin's method of analyzing Huanxiu Mountain Resort, which divides the relationship between people and mountains into five scenes:
From the highway, looking at the big house from afar, we first see the floating curved metal roof, such as the flying leather hanging in the air, and as we get closer, we see the warp and weft under the eaves, such as the spread of branches and vines. Looking down at the roof, the visible section of the mountain is divided into two layers, the lower part of the local production of dark copper plate stone, the upper part of the light-colored polished stone, the texture of the texture of the contrast, the difference between the overlapping, in a unified sense of thickness to create a material contrast texture effect. To be close to the front, pick up the stairs, through the high open glass curtain wall, see the towering mountains to the face, under the grand or the feeling of expectoration.
Walking into the house, in the hall a little hovering can be found on the mountain, climbed higher and higher and the top of the lower, the magnificent trend of gradual closure, the wood cloud pressure can be touched. Skylight under the light and shadow swaying, as if the realm of mountains and forests. The trail is a coiled one, with views along the way, extending the interface for public participation to the longest possible extent. The surface of the mountain is covered with raw stone, the entrance of the space is marked with gray steel, and the railing of the stairs and bridges is made of bamboo. The paths are interspersed with twists and turns, and as one looks up and down, one does not realize that one is already a visitor.
While traveling around, the higher you go, the more platforms you have to look at. The roof undulation is far away, between the roof and the mountain with high translucent super white glass curtain wall, will lead the line of sight to the distant mountains and mountains, and there is a close-up view of the contrast, shielded from the clutter of the surrounding environment, the use of borrowed scenery, "if it seems to be a strange peaks and peaks, tired outside the wall". At this time, no longer feel "mountain in the house", but "house in the mountain", just a foot into the house only.
After looking back to climb to the high point, turn your head to see the mountain has a ravine, more than ten feet high, the space opens up, should be the water curtain theater. Down dozens of levels, look up and see the flying bridge hanging waterfalls, there is the light of the sky through the clouds, Huagai shade, high barriers around the feasible, can rest, can be observed, can be performed. And the hillside and the belly of the mountain in the stone court connected to the light well, you can peep one or two, but also for the subsequent trip to make the pad.
Hovering in the valley for a long time, you will find a hole in the side wall, through it, down a level, see the belly of the mountain in the hall, the left has an alleyway, along the right turn down another level, and finally into the hall, there is a travel supermarket, after the stone court, that is, and the valley on the slope of the hole in the hole is connected to the mountain can be a little bit of a stop before going to the mountain to return to the sweetness.
From the mountain to the realm, this is a building with the meaning of a stage set, in which the relationship between the inside and the outside of the architectural feeling, the big and the small of the natural scale, and the light and the heavy of the real material are explored. The building pursues the tension between the strangeness of the scene and the psychological expectation, pursues the modern interpretation of natural association, and finally hopes to get a picturesque viewing experience in the over-suspicious design density.
Building a house, hiding a mountain, "although in the hustle and bustle, like entering a rocky valley".