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加拿大奥丹艺术博物馆:“退”到自然中去 / Patkau Architects

加拿大奥丹艺术博物馆:“退”到自然中去 / Patkau Architects
编译:李敏 | 2020.09.17 09:43
©James Dow / Patkau Architects

项目地点  加拿大惠斯勒

设计单位 Patkau Architects

项目面积  5203平方米

项目年份  2016年


 

奥丹艺术博物馆主要用于收藏Michael Audain个人的、18世纪晚期至今的视觉艺术藏品。它包括世界上最精美的古老民族面具作品集之一、Emily Carr的画作,以及Jack Shadbolt、EJ Hughes和Gordon Smith等加拿大战后艺术家的作品。

The Audain Art Museum is a 56,000 square foot museum located in Whistler, British Columbia. It will house Michael Audain’s personal art collection which traces a visual record of British Columbia from the late 18th century to the present day. It includes one of the world’s finest collections of old First Nation masks, a superb collection of Emily Carr paintings, and works by some of Canada’s most significant post-war artists including Jack Shadbolt, E. J. Hughes, and Gordon Smith, as well as works by internationally regarded contemporary artists such as Jeff Wall, Rodney Graham, Stan Douglas and others.

 

©James Dow / Patkau Architects

博物馆设计是由三个关键因素决定:同时包括Michael Audain的永久收藏展览,和来自世界各地的各种临时展览;项目极具挑战性的基地地形;当地典型的大雪、年平均接近4.6米的积雪量。

The design of the museum is shaped by three powerful determinants. The first determinant is the need to house both the permanent exhibition of Michael Audain’s collection and, in juxtaposition with this collection, temporary exhibits of all kinds from across Canada and around the world. The second determinant is the beautiful but challenging site in Whistler which, although blessed by magnificent evergreen forest vegetation, is located within the floodplain of Fitzsimmons Creek. The third determinant is the enormous snowfall typical of Whistler which averages nearly 15 ft annual accumulated depth.

 

区位图  ©Patkau Architects

©James Dow / Patkau Architects

设计通过将大量连续公共空间、画廊对应到周围森林现有的线性空间中,从而简单、直接地回应了上述决定因素。建筑被抬高了整整一层,顶部是一个陡坡屋顶,包含行政管理和博物馆的其他幕后功能。

Our design responds to these determinants, simply and directly, by projecting a volume of sequential public spaces and galleries into an existing linear void within the surrounding forest. It is elevated a full storey above the ground and crowned with a steeply sloped roof, containing administration and back-of-house support functions.

 

©James Dow / Patkau Architects

设计和选址在场地环境中协同作用,创建了一条从当地公民的必经之路“村庄漫步”开始,经过Blackcomb路,最后穿过项目场地、前往Fitzsimmons Creek公园的公共流线。设计还在Blackcomb路上设置了一座可抵达博物馆的桥。

The building design and siting work synergistically within the context of the site to create a public pedestrian link, beginning from the ‘village stroll’, the pedestrian spine of Whistler Village, across Blackcomb Way, leading to and through the Museum and then across the site to Fitzsimmons Creek park. A bridge from Blackcomb Way rises through the forest to arrive at a sky lit museum entry porch.

 

©James Dow / Patkau Architects

在桥上,参观者可以随时下到森林、草地中,或继续穿过场地,或进入博物馆大厅。进入展馆内部后,沿玻璃走道前进,依次进入永久展区、临时展区,这个过程可同时俯瞰建筑外面的自然景观。

From there, visitors can either descend to the forest floor and central meadow to continue passage through the site, or enter into the museum lobby and event space. Once inside, visitors proceed along a glazed walkway overlooking the meadow below, to gain access first to the galleries which contain the permanent collection and then to the galleries which contain temporary exhibits.

 

©James Dow / Patkau Architects

形体被黑色金属外壳包裹,隐匿在森林中;而入口处的开口,则被明快的木质外壳覆盖,为进入门厅、在幕墙廊道上看到画廊提供了通道。外部可见的室内公共空间延续了入口处温暖明快的物质性:永久和临时展区均为白色体量。

The simple form of the exterior is clad in an envelope of dark metal which recedes into the shadows of the surrounding forest. Where this envelope is opened, to provide access in the entry porch or view from the glazed walkway to the galleries, the dark metal is overlaid by a luminous wood casing. Public spaces in the interior, which are visible from the exterior, continue this warm luminous materiality. Gallery interiors in both the permanent and temporary exhibition areas are closed white volumes with minimal detail.

 

©James Dow / Patkau Architects

设计中,形体与空间的形式、特征被刻意限制,为艺术品与周边自然景观创造了一个内敛、干涉感最小的场所。

The form and character of the building and interiors is deliberately restrained to provide a quiet, minimal backdrop to the art within and the surrounding natural landscape.

 

©James Dow / Patkau Architects

 

设计图纸 ▽

 

平面图  ©Patkau Architects

立面图  ©Patkau Architects

剖面图  ©Patkau Architects

完整项目信息

Architect : Patkau Architects

Project team: John Patkau, Patricia Patkau, David Shone, Michael Thorpe, Mike Green, Marc Holland, Cam Koroluk, Dimitri Koubatis, Tom Schroeder, Luke Stern, Peter Suter, David Zeibin

Consultants

Structural: Equilibrium Consulting

Mechanical/ Electrical: Integral GroupLighting: HLB

Lighting Design

Civil: Creus Engineering

Landscape: PFS Studio / Tom Barratt

Code: LMDG

Building Envelope: Spratt Emanuel Engineering

Floodproofing: Kerr Wood Leidal

Geotechnical: Geopacific Consultants

Snow Management: Mountain Resort Engineering

Signage: Gallop Varley

Museum Consultant: Lord Cultural Resources

Exhibition Design: Bricault Design

Construction Manager: Axiom Builders

Photography: James Dow / Patkau Architects


版权声明:本文图文由Patkau Architects授权发布,欢迎转发,禁止以有方编辑版本转载。

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