宽窄巷子里的“错位时空”：好利来1992概念店 / Some Thoughts设计工作室

编辑：李博超 | 校对：李博超 | 2021.09.01 23:29

设计单位 Some Thoughts空间设计工作室

项目地点 四川成都

建造时间 2021年6月

室内面积 240平方米

本文文字由设计单位提供。

千百年来，宽窄巷子一直是成都这座古老城市文脉延续的缩影。在建筑上，这里不仅是老成都“千年少城”的最后遗存，同时也是北方胡同文化在南方的唯一样本。从清朝八旗兵营的宅院到现代化的历史文化商区，宽窄巷子始终是一座包容当代并抒写未来的载体。

Kuanzhai Alley, known for its historical architecture form for being the last relic of ancient Chengdu, it has been the epitome associated with the continuation of history and also a rare example of northern Hutong culture applied in the south. From the residence for military in Qing Dynasty to the modern culture-infused business district, Kuanzhai alley has always been an embodiment that embraces the contemporary trends and fosters a view towards the future.　　　

“好利来1992”入驻宽窄巷子，期盼以当代的表达方式向传统致敬，并回顾品牌创始至今几十年来的发展历程。我们认为回顾传统，在理解上需要避开某种风格的驱动，同时应该寻求一种超越时代背景的形式与材料之间的关系。

Set in Kuanzhai Alley, Holiland 1992 Concept Store is conceived to pay tribute to the tradition with contemporary design methods and retrospect the development of the brand in the past decade since its establishment. In finalizing the concept, Some Thoughts believes that by derivate from a certain kind of style-driven design, whereas pursues a relationship between “forms” and “material origins” beyond times that our reflections towards traditions in a historical space could come into being.

通过挖掘商品与材料之间的关系，我们发现糕点作为商品，与空间中使用的玻璃砖瓦在用途和规格上都有着明显的差异。但追溯其制造过程，当液态状经过高温冷却后，都是一个既易碎又有形的固体被制造出来。

By further articulating the relationship between commodities and materials, we discover the fact that bakeries obviously differentiate glass bricks, tiles in terms of its using and specifications in the space. However, tracing back to the manufacturing process of these items, a common feature that a fragile yet tangible solidity has been generated when the liquid is cooled at high temperature.

在传统迭代至今的共性面前，我们期待这些玻璃去赋予空间某种新的秩序，并被到访者重新理解和接近。利用玻璃瓦作为滤光器，使光在空间中折射、漫反射，从而引发空间及粗糙表面与光线的相融，在时间的推移中让到访者体验到一种多变的重叠感。

Confronting the universality endowed in the elevation of convention to modernity, Some Thoughts expect to empower the interior with a completely new order and be re-understood and approached by the public. The glass tiles act as the filter to introduce the light, which plays and compliments with the roughness of materials in the entire space. A sense of ever-changing juxtaposition has been presented to the visitors as time goes on through the refract and diffuse of lights in space.　

设计师尝试将视觉附着在古建筑的属性上进行重组，通过装置与建筑的相关性，在空间中拉开视觉的张力并模糊直白的视觉符号。空间提供了大众对传统与当代之间的全面探索，并代表了某种情感语境，向到访者输出了一个可感知的空间。

The designer attempts to re-optimize the visual points that often enshrine in historical building by punctuating the interplay between installation and architecture. Hence, the visual impact has been extended and the blunt visual symbols are therefore blurred during one’s journey in the store. Visitors are guided with immersive exploration into tradition and contemporary in the carefully choreographed space, where the interior design represents a certain emotional context, and introduces a perceptible space to the public.