隈研吾将改造法国一教堂入口，以轻盈手法诠释中世纪建筑特征

编辑：崔婧 | 2021.09.29 20:11

效果图渲染：L'autre image ©Kengo Kuma & Associates

近日，隈研吾建筑都市设计事务所公布了法国昂热圣莫里斯大教堂西门入口的改造方案。该设计将以当代、轻盈的手法，为教堂入口添加一处与历史建筑中世纪特征相契合的画廊。以下是来自事务所官网的项目介绍：

我们被要求设计一个当代的画廊，用以保护昂热大教堂的西部入口，那里于近期发现了来自中世纪（12世纪）和更近一些时期（17世纪）的珍贵的多色雕塑。

We were asked to design a contemporary gallery to protect the western portal of Angers Cathedral, where precious polychromatic sculptures from medieval (12th century) and modern (17th century) periods were recently discovered.

设计的挑战是在当代创作与中世纪建筑遗产之间，创造和谐的对话。我们希望把自己放在中世纪建设者的位置上，以严格的规则来设定一个建造的框架，使其与原建筑具有统一的比例。

Our challenge was to create a harmonious dialogue between a contemporary creation whilst preserving Middle-Age architectural heritage. We wanted to put ourselves in the shoes of the builders of the Middle Ages and to create a regulatory framework, using compasses, thus generating the proportions which lead to unity.

所有的一切都是通过最精细的石材加工来实现的，这使画廊摆脱了大教堂以切石法建造的墙体的厚重感。新技术为建筑创造了一种当代感，同时也展现出建筑的一部分历史特征。

All this is achieved using the finest stone processes possible which then frees itself from the thick walls of the cathedral built in stereotomy. It is this technical process that creates a contemporary feeling to the building, while remaining part of the history of architecture.