MD公寓：材质的拼接 / Saransh Architects

编辑：李博超（实习生） | 校对：崔婧 | 2020.08.10 20:29

设计单位 Saransh Architects

建成时间 2019年4月

项目地点 印度艾哈迈达巴德

建筑面积 67.35平方米

项目位于艾哈迈达巴德市中心，是一位设计师的住宅，其满足了业主的特定要求。这个住宅原为两居室的公寓，现已被改为一间工作室。

MD Apartment, located centrally in Ahmedabad, is the house of a designer, designed to meet his specific requirements. Originally a two bedroom apartment, it has been converted into a Studio.

设计的第一阶段是重整空间。这意味着要拆除所有的隔墙、现有的卫生间、厨房甚至地板。这是有意为之的决定，为了能创造出最小的、且可被触感的空间。因此大多数材料的选择，都是根据它们的老化程度来确定的。

Stripping the space bare was the first stage of design. This meant removing all the partition walls, existing toilets, the kitchen and even the flooring. There was a conscious decision of making a space that was minimal and at the same time, tactile. So a majority of the materials chosen were done so based on how well they age.

一进房间，便可以看到它的全貌，整个房间只有卫生间有一扇门，波纹状玻璃令朝北的公寓获得了充足的采光。起居空间与就餐区连通，设有地板式的餐桌和开放式的厨房，这都使住宅显得更宽敞，进一步与阅读和娱乐区域相联系。

On entering the apartment, the entire house is visible - the only door in the house is to the toilet, that too of fluted glass which ensures ample daylight in the north facing apartment. The living space flows into the dining area, with a floor seating dining table and an open kitchen making the house appear larger which further connects to a reading and entertainment den.

室内采用了白色与灰色为基调，创造出一种协调感，也突出了木材与黄铜的质感。一进房间，就能体验到由材料的变化划分出的四个区域。厨房与卫生间只采用灰色调，因此在浅白色与灰色的日常区域内营造出一种壁龛般的空间。

The interior takes white and grey undertones, both of which create an overarching harmony, which is then accented with highlights of wood and brass. On entering the house one experiences four different spaces demarcated by changes in material. The kitchen and the toilet undertake only grey tones, hence creating ‘niche like’ spaces inside the lighter white and grey general areas.

书房主要使用了木材，营造出舒适的氛围，并且空间被大幅度减小，给人一种进入到不同区域的感觉，爬上几节台阶后这种感觉更为明显。尽端的空间为卧室，米色的墙壁和饶有趣味的蓝色的地板，让这里显得更为温馨，这给了房间一种非常不同的美感，使其具有了个人的风格。

The den is made of wood to give a cozy vibe, and the volume of this space is reduced drastically to give a sense of entering a different realm, which is further exaggerated by the need to climb a couple of steps to enter it. Finally the last space that is the sleeping area, is made much warmer with beige walls and a more playful floor in tones of blue. This gives it a very different aesthetic inside the house, giving it a personal touch.

设计对材料纹理的物理特性与排布方式进行了探索。整个地面均为抛光混凝土与木材、石材、水泥瓷砖及黄铜等不同材质的拼接。抛光混凝土延伸到墙上直至窗台，给人一种在混凝土中的沉浸感。

The project is an exploration of materiality and juxtaposition of textures. The entire flooring is polished concrete with different inlays, like wood, stone, cement tiles and brass. The polished concrete is filleted onto the wall up to the sill level, to give a sense of being inside concrete rather than being on it.

设计对空间中灰色的运用进行探索，使用了包含灰色大理石的混凝土，以及三种不同的灰色软装面料。项目仅在陶瓷、靠垫与窗帘处使用了蓝绿色调。

Different greys explored to go along with the concrete include a grey polished marble and three types of grey fabrics used in the soft furnishings. The only coloured accents used in the project in shades of indigo and turquoise, is in the ceramics, cushions or shear curtains.

所有的墙壁均用石灰粉刷，不仅使房间在炎热的天气里保持凉爽，也给空间带来了一种永恒感。木材上选用了从当地回收的60至80年树龄的瓦尔萨德柚木，不仅可循环利用，还提供了丰富的纹理。

All the walls have a pigmented lime plaster finish which not only keeps the house cool in the hot weather of Ahmedabad, but also gives a timelessness to the space. The wood used, is reclaimed 60-80 year old Valsad Teak from the 'Pols' of Ahmedabad. Not only is it more sustainable, the aged wood has an inherent rich texture.

不同于通常别致的城市住宅，设计师有意令住宅保持“未完成”的状态，使其成为城市中心的绿洲，拥有类似乡村建筑般不断变化的自然空间感。

Leading away from the generic chic finished urban homes, a conscious choice was made to keep the 'end product' unfinished; to make the house an oasis in the middle of the city, similar to the natural ever-changing sense of space of a vernacular cottage.