方案｜洞见风景：迷山艺术中心 / CPLUS

编辑：贾晶琦 | 校对：贾晶琦 | 2025.03.17 17:08

设计单位 CPLUS

项目地址 桂林阳朔

项目状态 概念设计阶段

建筑面积 3000平方米

连接原始与未来

Connecting the Primitive to the Future

迷山艺术中心位于广西阳朔，是一处集展览、接待、餐饮及零售等功能于一体的休闲场所。建筑主体隐匿在迷山阳朔国际运动休闲度假区内的一隅山坡上，面朝峰峦叠嶂的喀斯特地貌风景区，背倚炊烟袅袅的田园村落。建筑作为文化与自然共存的场所，旨在为游客提供多元化体验。

Located in Yangshuo, Guangxi, the ME3 Art Center is a leisure facility with exhibition, hospitality, catering and retail functions. Facing the mountainous landscape and backed by the rural villages, the main body of the building is hidden on a hillside in the ME3 Yangshuo International Sports Leisure Resort. As a place where culture and nature coexist, it provides visitors with diversified experiences.

方案从本土岩溶景观和干阑民居中获得灵感，以“洞见风景”为设计立意，试图通过建筑与场地的融合，唤起人们内心深处对原始自然的永恒追求。

Inspired by local karst landscapes and stilt houses, the concept is based on the idea of “Meeting the Scenery in the Cave”, and tries to evoke people's deepest eternal pursuit of primitive nature through the fusion of the architecture and the site.

模拟自然洞穴

Simulation of Natural Caves

方案犹如一个巨大的天然山洞，立面及屋顶上点缀着大小不一的洞口，光影交错营造出神秘的洞穴氛围。大量开阔、连续、流动的灰空间打破了传统功能分区的界限，使用者可根据自身需求灵活使用这些空间。

The ME3 Art Center is like a huge natural cave. Its facade and roof are dotted with holes of different sizes, and the interplay of light and shadow creates a mysterious atmosphere. A large number of open, continuous and flowing gray spaces break the boundaries of traditional functional zoning, allowing people to use these spaces flexibly according to their own needs.

建筑以开放、包容的姿态，让风、光、水等自然元素经由孔洞穿过，与外界气候形成自然过渡。灰空间作为内外之间的缓冲带，如同一个大型遮阳系统，有效应对当地潮湿、炎热的气候特征，降低了对人工设备的依赖，减少能源消耗。设计一方面鼓励参观者走出封闭空间，更多地享受户外活动的乐趣，同时也为鸟类、昆虫和其他野生动物提供了栖息之所，使整个场地成为人与自然和谐共处的乐园。

The facility is open and inclusive, permitting natural elements such as wind, light and water to pass through the holes, creating a natural transition to the outside climate. The gray spaces serve as a buffer between inside and outside, acting like a large-scale shading system, effectively responding to the humid and hot climate characteristics of the region and reducing the reliance on artificial equipment, thus lowering energy consumption. The design encourages visitors to come out of the enclosed space and enjoy the outdoors. At the same time, it offers habitat for birds, insects and other wildlife, making the entire structure a place where people and nature live in harmony.

可再生清水混凝土在浇筑后展现出的原始质感，以及表面粗犷的纹理模糊了自然与人工的边界。建筑整体散发着古老遗迹般的沧桑气息，又似一艘从未来驶来的飞船，构建出一场跨越时空的奇妙对话。

The renewable exposed concrete reveals its raw texture after pouring. And the rough texture of the surface blurs the boundary between nature and man-made. The building exudes the aura of an ancient relic, yet seems to be a spaceship from the future, constructing a marvelous dialogue across time and space.

隐于山林之间

Hiding in the Mountains

建筑始于自然、归于自然，最终与自然互为风景，成为彼此的一部分。艺术中心的种植屋顶微微倾斜，与山顶地面自然衔接。从背后的村庄望去，建筑几乎隐没于环境，最大限度保留了风景区的原始风貌，并且减少了对生态的干扰。

Architecture begins with nature, returns to nature, and eventually becomes part of the landscape with nature.The planted roof of the ME3 Art Center is slightly sloped and naturally connected to the hilltop ground. When viewed from the village behind, the building is almost invisible to the environment, maximizing the original appearance of the landscape and minimizing ecological disturbance.

参观者乘坐缆车上山，从位于屋顶平台处的入口进入建筑内部，开始一段独特的“下山”之旅。随着山势缓缓下降，高低错落的平台相互交织，营造出立体而丰富的活动场景。在行进过程中，空间的层次变化与多角度的观景体验，让人在探索中逐渐与自然融为一体。

Visitors take a cable car up the mountain and enter the facility through the entrance at the roof deck, where they begin a unique “downhill” journey. As the mountain gently descends, platforms of different heights intertwine with each other, forming a three-dimensional and rich activity scene. In the process of traveling, the change of space levels and the experience of viewing from multiple angles make people gradually become one with nature in the process of exploration.

最后，参观者来到艺术中心面朝杉树林和湖泊的平台上。站在这里眺望，建筑东侧的巨大开口宛如一幅画框，远处壮丽的喀斯特风光在其中徐徐展开。

Finally, visitors come to the platform of the Art Center facing the cedar forest and the lake. Standing here, the huge opening on the east side of the building looks like a picture frame, transforming the spectacular karst scenery in the distance into a landscape painting that unfolds in front of eyes.