Snøhetta新作：乔斯林艺术博物馆扩建，正式开放

编译：袁蓓祺 | 校对：袁蓓祺 | 2024.10.11 10:48

设计单位 Snøhetta+Alley Poyner Macchietto Architecture

项目地点 美国奥马哈

建成时间 2024年

建筑面积 42,000平方英尺（约合3901.9平方米）

本文英文原文由Snøhetta提供，由有方编译。

近日，Snøhetta宣布，扩建后的乔斯林艺术博物馆已正式向公众开放。

On September 10th, our expansion for the Joslyn Art Museum opened its doors to the public for the first time.

为了满足乔斯林艺术博物馆的发展需要，以及为其扩展永久收藏品提供更多的空间，Snøhetta与当地建筑事务所Alley Poyner Macchietto Architecture（APMA）合作为博物馆扩建工程设计了一座光线充足的新建筑，面积为42,000平方英尺（约合3,902平方米）。

In partnership with local architects, Alley Poyner Macchietto Architecture (APMA), we designed a 42,000-square-foot addition with light-filled galleries planned to meet the demands and explore the possibilities of a growing permanent collection.

除此之外，团队还对博物馆现有空间进行了修复和现代化改造，并对占地超过3英亩（约合12,141平方米）的公共花园及户外空间进行了设计。

In addition to the expansion, we conceptualized more than three acres of rejuvenated public gardens and outdoor spaces on the site as well as restored and modernized existing spaces within the Joslyn Memorial building.

扩建之后的博物馆，能让再次到来的访客立刻感受到它的重大变化——空间布局让人们到达之后的流线更加清晰，现有空间之间的联系也变得更加紧密。

With the new expansion, returning visitors to Joslyn Art Museum will immediately notice important changes to the grounds that clarify their arrival and increase the connectivity between existing spaces.

原有的建筑厚重沉稳，而此次扩建的新建筑则仿佛悬在两面花岗岩景墙之上。新建筑的一层通透，笼罩着下方一个新的中庭大厅、博物馆商店以及一个多功能的共享空间。这些功能所在的底层，通过一条平缓的、方便通行的人行走道，逐渐过渡到与原有建筑相平齐的高度。

While the existing monolithic buildings carry a heavy, anchored presence, our new addition floats atop two granite garden walls, with a transparent first floor enclosing a new atrium lobby, Museum store, and a multi-function community space.

扩建部分的这种“轻盈悬停”的效果，旨在呼应笼罩着美国大平原的令人震撼的云层，以及致敬“草原风格”建筑出檐深远、水平发展的特征。

These ground floor spaces gradually rise to the level of the existing buildings through a gently sloping, accessible walkway. The weightless effect of the hovering expansion is a nod to the striking cloud formations that blanket the Great Plains as well as the deep overhangs and horizontal expressions of regional Prairie Style architecture.

穿过低矮的入口进入建筑之后，映入眼帘的是一个充满自然光的广阔中庭，这里设置了各种不同的空间，人们可以在此放松休闲、观察来来往往的人群以及远远地欣赏花园。

Once entering the building from the low-slung entry canopy, you are then pulled into a spacious light-filled atrium offering a range of different spaces for relaxing, people-watching, and gazing out at the gardens.

以本地植物妆点的沉浸式雕塑花园重新进行了规划，从而与整个场地范围内的众多景观空间和户外“房间”结合。设计以雕塑家Jesús Moroles的现有装置作品《奥马哈河景》（The Omaha Riverscape）为主干，将建筑与户外空间交织在一起。在进入建筑之前，访客就能感受到一系列视觉艺术的冲击，随后再自然而然地进入室内继续欣赏其他藏品。

Immersive sculpture gardens decorated with native plants have been reimagined as a vast congregation of landscape spaces and outdoor “rooms” that wrap the site, weaving the buildings and outdoor spaces together around a spine formed by the existing installation The Omaha Riverscape by sculptor Jesús Moroles. Before even entering the building, visitors are met with a sweeping collection of visual art, allowing for a natural transition to the pieces housed indoors.

新建筑外墙的水平纹理，以原有建筑的叠石大台阶为灵感来源。大台阶从原建筑的东侧向外延伸，与扩建的新建筑平行。新建筑外墙的浅色预制面板上，点缀镶嵌着鲜艳的粉色骨料，与原有建筑华丽的玫瑰色大理石外墙交相辉映。

The horizontal texture of the façade takes its cue from the stacked stone steps of the Memorial Building’s monumental Grand Staircase that emerge from the East side of the existing buildings in parallel with the expansion. The façade’s light-colored precast panels are embedded with vibrant pops of pink aggregate that reflect the rich, rose-colored marble of the existing buildings.

两层楼高的扩建部分围绕着原有的建筑，在保留乔斯林艺术博物馆原有特征的同时，为其创造出一个更加开放、更具吸引力的前序空间。这标志着博物馆翻开了新的一页，将以更加包容、更加动态的方式吸引公众接触艺术。

The two-level addition sweeps around and frames the existing structures, honoring the Joslyn’s previous identity while opening a more porous, inviting front that marks a new chapter in the Museum’s vision for inclusive, dynamic public access to the arts.