迄今为止,我们设计的大多数项目和作品都是公共建筑,并与脆弱、不完整的城市环境有关。
The majority of projects and works that we have designed to date have been related with public architectures and fragile, incomplete urban contexts.
在这一工作框架下,我们的目标是使公共场所真正成为集体性的空间,并确定出一种特定于其环境的建筑。
Within this working framework, our aim has been to try to dignify what is public as a collective space and to define an architecture that is specific to its environment.
出于这个原因,我们一直在寻求能在场所的特殊性和形式的自主性之间取得平衡的建筑。这种不可削减的二分法指导着我们近年的工作,并使之逐渐走向一种"感性的纪念性"。
For this reason we have always sought to produce architecture that strikes a balance between the specificity of the place and autonomy of form. This irreducible dichotomy has guided our work over recent years and has gradually taken it towards a ‘sentimental monumentality’.
我们追求的是能赋予社会公共场所以尊严、个性和归属感的建筑,通过自主、原始、简朴(povera)的方式,并能超越建造发生的当下,在过去、现在和未来之间建立起时间上的联系。
We seek an architecture that aspires to confer dignity, identity and a sense of belonging upon places of civic community life, the civitas, through an autonomous, primal and povera approach that can transcend the point in time at which it emerges and establish a temporal link between past, present and future.
但与此同时,建筑也必须与其周边环境建立起特定的关联。它应能引起共鸣、有知觉力,能超越理性,并与现实环境建立一种以情感为基础的连接。
But at the same time an architecture is necessary that establishes a specific relationship with its surrounding context. An architecture that is empathetic and perceptive, that transcends the rational to define a sentiment-based connection with the reality of an environment.
在纪念性与情感的对立中,我们的作品存在着:它渴望属于一个地方,也渴望属于所有地方。
In the opposition between monument and sentiment our work resides: it is something that aspires to belong to a place but at the same time to belong to all places.
它是一种能同时兼具特殊、自主、亲密、不朽的建筑,能保留每个地方的丰富与独特,并发现每一场所所隐藏的意想不到的景观。
It is an architecture that is simultaneously specific and autonomous, intimate and monumental, capable of preserving the richness and singularity of each place while never failing to discover the unexpected landscapes that each hides.
Fabrizio Barozzi, Alberto Veiga
巴塞罗那,2015年11月18日
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