很抱歉,没有找到 “” 相关结果




编辑:原源 | 2019.02.19 14:46
©David Schreyer

建筑设计  Snøhetta - Innsbruck

室内设计  Snøhetta - Innsbruck; Carla Rumler, Cultural Director Swarovski

建筑面积  7.546平方米



近日,Snøhetta新作、珠宝品牌施华洛世奇(Swarovski)位于奥地利阿尔卑斯山水晶生产园区内的 Manufaktur大楼,正式落成开放。在此项目中,Snøhetta为21世纪的水晶生产打造了一处日光满溢的梦幻空间。新工厂既是生产场地,也是一个鼓励创新的创意中心,为施华洛世奇与客户的更多合作提供了机遇。

With the Swarovski Manufaktur, Snøhetta has created a crystal workshop for the 21st century. This daylight-flooded and generous building is as much a top-notch production facility as it is an innovative creative hub providing Swarovski with new opportunities to work together with customers.


©David Schreyer

Manufaktur大楼为创意性合作、快速的原型制作及展示提供了空间支撑。项目结构将设计、产品开发和生产融于一体,这一新的建筑类型允许品牌将更新的程序与技术需求相结合。Snøhetta创始合伙人 Kjetil Trædal 这样总结:“项目为‘包容性生产设施’提供了新的范式,它将客户、设计师、艺术家、研究人员、机器操作员、技术人员、公众聚集在一个屋檐下,而这将慢慢改变我们未来对这些群体之间的关系的看法。”

Developed for the Tyrolean crystal manufacturer, the Swarovski Manufaktur is a progressive crystal workshop perfectly suited for creative co-creation, rapid prototyping and representation. The structure cleverly merges design, product development and production into one single facility. The new building type allows the company to develop innovative ways to align creative visionary processes with technical production requirements. “The Swarovski Manufaktur sets a new standard for inclusive fabrication facilities,” says Kjetil Trædal Thorsen, Founding Partner of Snøhetta, when summarizing the concept. “Bringing clients, designers, artists, researchers, machine operators, technicians and the public into one space under one roof is going to change how we think about these relationships in the future”.


©David Schreyer
©David Schreyer


光的游戏A Play of Light


Manufaktur 大楼希望以空间设计鼓励更有创意的合作,启发更多的互动,而不是仅仅关注生产过程本身。这一策略中的关键焦点,是对自然日光的充分融合。
Swarovski Manufaktur is designed to facilitate innovative collaborations, inventive exchange and a rapid implementation of ideas. The design primarily focuses on creating an appealing and stimulating space that encourages creativity rather than focusing on the physical production processes which are a central part of the Manufaktur. A key focus for the architects was the incorporation of daylight, which is what makes crystal sparkle. 


“在对项目几何形态的考量上,我们不希望过多受到水晶的物理性质的影响,”Snøhetta茵斯布鲁克办公室管理总监Patrick Lüth解释说,“相反,我们试图理解是什么让水晶如此特别、如此吸引人,并利用这品质来创造一个与此相关的特定氛围。建成后的空间享有着无与伦比的日光,这在过往的生产车间中是难以想象的。水晶的美好只有在充沛的光线中才能真正展现,所以日光的充盈,是我们认为的这个建筑最重要的美学特点。”

“We tried not to interpret the physical properties of crystals in our building geometry,” explains Patrick Lüth, Managing Director of Snøhetta’s Studio in Innsbruck. “Instead, we have tried to understand what makes crystal so special and attractive, and to use these ephemeral qualities to create a specific atmosphere. The space has an incredible amount of daylight penetration which we believe is unparalleled in the typical production facility context. Crystals only come to life with light, so for us it is the intense presence of that daylight that is the most important aesthetic aspect of this building.”


©David Schreyer
©David Schreyer


Daylight enters the spacious building through openings in the ceiling, known as “cassettes”. This special ceiling construction comprises 135 openings covered with a protective solar coating that allows daylight to enter gently into the building. The self-supporting white steel ceiling consists of a repetitive 6x3-metre pattern with a slightly skewed grid. The ceiling structure integrates all necessary building services. Perforated acoustic panels covering the ceiling ensure that the building has a pleasant sound level that allows people to converse at a normal voice despite the background noise from the production facilities and machines.


©David Schreyer


灵活空间A Flexible Space


建筑特定的材料选择,凸显了室内明亮友好的氛围。墙壁被漆成白色,浅色的桦木面板覆盖着地板和二层雕塑般的平台,平台提供了俯瞰一楼宽敞空间的良好视角。当参观者从Campus 311—— 一个室内主色调为暗色系的办公空间——经过一座桥进入Manufaktur大楼时,Manufaktur的明亮就更为突出。从一个建筑移步到另一个建筑的体验,进一步凸显了新空间的生动。
The bright and welcoming atmosphere of the building interior is emphasized by the material choices. The walls are painted in white, and light birch wood panels cover the floor and the sculptural platform that is the second floor, providing an overview of the generous space of the ground floor. The light atmosphere is particularly emphasized when visitors enter the Manufaktur through a bridge from Campus 311, a new office location in an old factory building with an interior dominated by a dark color palette. In this way, the experience of moving from building to building accentuates the vivid atmosphere of the new space.


©David Schreyer
©David Schreyer


A large open staircase, which also serves as a meeting point and arena, provides access to the main floor from the wooden platform which is structurally suspended from the ceiling. Offices, showrooms and presentation rooms are integrated into this wooden sculptural and gallery-like structure. These rooms are enclosed by glass walls and the interior is dominated by materials such as oak, brass, stained glass and a variety of textiles. At the main floor, the café also serves as a meeting point and a social space. The design visually connects the sculptural upper level with the main floor.


©David Schreyer
©David Schreyer
©David Schreyer
©David Schreyer
©David Schreyer
©David Schreyer


At the Manufaktur, the entire production process of the Swarovski crystal is reproduced on a small scale: The main floor contains all the machines necessary to produce prototypes or small crystal series in the shortest possible amount of time. Should technical standards or specifications change, the flexibility of the main floor provides enough space to allow for production to be rearranged to meet the latest technological requirements. 


©David Schreyer


Throughout the facility, a “chandelier hole”–  an open space plunging from the main floor and down to the basement – allows for prototypes up to 14 meters high to be assembled and tested on-site. The new factory not only sets a new standard for the future of creative work, but also for sustainability; The building meets the criteria of the LEED Gold Standard (Leadership in Energy and Environmental Design.






Architecture: Snøhetta - Innsbruck

Interior Architecture: Snøhetta – Innsbruck; Carla Rumler, Cultural Director Swarovski

Lighting: Martin Klingler – Moosbach; Sally Story - London

HVAC: ATP Architekten Ingenieure, Innsbruck

Electrical Engineer: ATP Architekten Ingenieure, Innsbruck

Structural Engineer: Baumann + Obholzer, Innsbruck

Building Physics Engineer: Spektrum, Dornbirn



Plot size: 5.505 m²

Footprint: 3.587 m²

Length: 102 m

Floor space total: 7.546 m²

Room height: 8,45 – 13,75m

Main Production Space: 2.140 m²

Show rooms: 431 m²

Suspended platform: 1.093 m²

Span of roof structure: 28 – 41m

Light Production Space: Dimmable

Light Showroom: Tuneable

Light panels: 252 m², 29 panels á 8,7 m²








1. 邮件标题及资料包请以“新作/视频投稿-项目名称-设计单位”格式命名;

2. 由于媒体中心每日接收投稿数量较多,发送资料前请确认项目基本信息、文图资料准确无误。接受投稿后,不做原始资料的改动;

3. 若投稿方已于自有平台进行发布且设置“原创”,请提前开设好白名单(有方空间账号:youfang502;Space内外账号:designall),并设置好“可转载、不显示转载来源”两项。